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IT’S THE END OF THE WORLD AS WE KNOW IT…

For decades, the apocalypse and its aftermath have yielded some of the most exciting short stories of all time. From David Brin’s seminal “The Postman” to Hugh Howey’s “Deep Blood Kettle” and Tananarive Due’s prescient “Patient Zero,” the end of the world continues to thrill.

This companion volume to the critically acclaimed WASTELANDS offers thirty of the finest examples of post-apocalyptic short fiction, with works by:

Ann Aguirre

Megan Arkenberg

Paolo Bacigalupi

Christopher Barzak

Lauren Beukes

David Brin

Orson Scott Card

Junot Díaz

Cory Doctorow

Tananarive Due

Toiya Kristen Finley

Milo James Fowler

Maria Dahvana Headley

Hugh Howey

Keffy R. M. Kehrli

Jake Kerr

Nancy Kress

Joe R. Lansdale

George R. R. Martin

Jack McDevitt

Seanan McGuire

Maureen F. McHugh

D. Thomas Minton

Rudy Rucker & Bruce Sterling

Ramsey Shehadeh

Robert Silverberg

Rachel Swirsky

Genevieve Valentine

James Van Pelt

Christie Yant

Award-winning editor John Joseph Adams has once again assembled a who’s who of short fiction, and the result is nothing short of mind-blowing.

This book is an anthology of original stories inspired by science and scientists. The authors—some of the best and most decorated in the field—each visited Microsoft Research and met with top researchers in areas such as machine learning, computer vision, speech recognition, programming languages, and operating systems. They were given a unique opportunity to see new technologies under development and understand how researchers think and work.

The stories that came out of this process are the kind of science fiction that excited me as boy. They draw upon, highlight, and extrapolate current science. A number of them put scientists and engineers front and center in the narrative.

Early in the next century, outside a North Dakota town, farmer Tom Lasker digs up a boat on his land. Not only is the vessel crafted from an unknown element, but Lasker’s farm is on land that has been dry for 10,000 years. A search for further artifacts unearths a building of the same material and age that turns out to be an interdimensional transportation device. The building sits on land owned by the Sioux, who want to use it to regain their old way of life on another world; meanwhile, the U.S. government, fearful of change, wants to destroy the building. Right up to the climax, McDevitt (Engines of God) tells his complex and suspenseful story with meticulous attention to detail, deft characterizations and graceful prose. That climax, though, is another matter, featuring out-of-the-blue heroic intervention in a conflict between the feds and the Indians by, among others, astronaut Walter Schirra, cosmologist Stephen Hawking and SF writers Ursula K. LeGuin, Carl Sagan and Gregory Benford. “If the government wants to kill anyone else, it’ll have to start with us,” announces Stephen Jay Gould. That absurdity aside, this is the big-vision, large-scale novel McDevitt’s readers have been waiting for.

The year is 2255. The academy that trained the starfarers is long gone and veteran star pilot Priscilla “Hutch” Hutchins spends her retirement supporting fund-raising efforts for The Prometheus Foundation, a privately funded organization devoted to deep space exploration.

But when a young physicist unveils an efficient star drive capable of reaching the core of the galaxy, Hutch finds herself back in the deepest reaches of space, and on the verge of discovering the origins of the deadly omega clouds that continue to haunt her.