Эдриан Крис (9)

In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.

James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

The best-selling author Carl Hiaasen takes the reins for the eleventh edition of this series, featuring twenty of the past year’s most distinguished tales of mystery, crime, and suspense.

Laura Lippman introduces us to a suburban soccer mom who moonlights as a call girl and who has a fateful encounter with a former client at her son’s soccer game. Ridley Pearson traces a famous author of horror tales who becomes trapped in a real one after his wife vanishes while jogging. Joyce Carol Oates travels to a New Jersey racetrack where the animals that break down are of the two-legged type. Lawrence Block tells the story of Keller, a hitman for hire who happens to live in Greenwich Village, loves spicy food, and collects stamps as a hobby. And Scott Wolven plunges us into the world of an ex-con who takes a job at a private and very illegal Nevada racetrack where each day millions are won and lost. Mostly lost.

As Carl Hiaasen notes in his introduction, “The stories in this collection would do honor to any anthology of short literature. More than transcending the genre of crime, they blow away its nebulous boundaries.” The Best American Mystery Stories 2007 is a powerful collection certain to delight mystery aficionados and all lovers of great fiction.

The PEN/O. Henry Prize Stories 2011 contains twenty unforgettable stories selected from hundreds of literary magazines. The winning tales take place in such far-flung locales as Madagascar, Nantucket, a Midwestern meth lab, Antarctica, and a post-apocalyptic England, and feature a fascinating array of characters: aging jazzmen, avalanche researchers, a South African wild child, and a mute actor in silent films. Also included are essays from the eminent jurors on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

The stories in describe the terrain of human suffering — illness, regret, mourning, sympathy — in the most unusual of ways. In “Stab,” a bereaved twin starts a friendship with a homicidal fifth grader in the hope that she can somehow lead him back to his dead brother. In “Why Antichrist?” a boy tries to contact the spirit of his dead father and finds himself talking to the Devil instead. In the remarkable title story, a ne’er do well pediatrician returns home to take care of his dying father, all the while under the scrutiny of an easily-disappointed heavenly agent.

With and , Chris Adrian announced himself as a writer of rare talent and originality. The stories in , some of which have appeared in , and , demonstrate more of his endless inventiveness and wit, and they confirm his growing reputation as a most exciting and unusual literary voice — of heartbreaking, magical, and darkly comic tales.

In the summer of 1863, Gob and Tomo Woodhull, eleven-year-old twin sons of Victoria Woodhull, agree to together forsake their home and family in Licking County, Ohio, for the glories of the Union Army. But on the night of their departure for the war, Gob suffers a change of heart, and Tomo is forced to leave his brother behind. Tomo falls in as a bugler with the Ninth Ohio Volunteers and briefly revels in camp life; but when he is shot clean through the eye in his very first battle, Gob is left to endure the guilt and grief that will later come to fuel his obsession with building a vast machine that will bring Tomo — indeed, all the Civil War dead — back to life.

Epic in scope yet emotionally intimate, creates a world both fantastic and familiar and populates it with characters who breath on the page, capturing the spirit of a fevered nation populated with lost brothers and lost souls.

Hailed by the as “one of the most revelatory novels in recent memory. . Cleverly conceived and executed brilliantly,” is the story of a hospital preserved, afloat, after the Earth is flooded beneath seven miles of water, and a young medical student who finds herself gifted with strange powers and a frightening destiny. Jemma Claflin is a third-year medical student at the unnamed hospital that is the only thing to survive after an apocalyptic storm. Inside the hospital, beds are filled with children with the most rare and complicated childhood diseases — a sort of new-age Noah’s Ark, a hospital filled with two of each kind of sickness. As Jemma and her fellow doctors attempt to make sense of what has happened to the world, and try to find the meaning of their futures, Jemma becomes a Moses figure, empowered with the mysterious ability to heal the sick by way of a green fire that shoots from her belly. Simultaneously epic and intimate, wildly imaginative and unexpectedly relevant, is a work of stunning scope, mesmerizing detail, and wrenching emotion.

Chris Adrian’s magical third novel is a mesmerizing reworking of Shakespeare’s . On Midsummer’s Eve 2008, three brokenhearted people become lost in San Francisco’s Buena Vista Park, the secret home of Titania, Oberon, and their court. On this night, something awful is happening in the faerie kingdom: in a fit of sadness over the end of her marriage and the death of her adopted son, Titania has set loose an ancient menace, and the chaos that ensues upends the lives of immortals and mortals alike in a story that is playful, darkly funny, and poignant.

Сказки — не для слабонервных: в них или пан, или пропал. Однако нас с детства притягивает их мир — не такой, как наш, но не менее настоящий. Это мир опасностей, убийств и предательств, вечного сна, подложных невест, страшно-прекрасных чудес и говорящих ослов.

Под двумя обложками-близнецами читателей ждут сорок историй со всего света. Апдайк, Китс, Петрушевская, Гейман и другие — вот они, современные сказочники. Но они и не сказочники вовсе, а искусные мастера литературы, а значит, тем больше у них шансов увести читателей в декорации слов, где вечные истории воплотятся вновь.

Вам страшно? Не беда. Жутко? Тем лучше. Не бойтесь темноты, вы ведь давно выросли. Хотя, быть может, это вам только кажется.

Michael Cunningham, Francine Prose, Aimee Bender, Kelly Link, Jim Shepard, and more than thirty other extraordinary writers celebrate fairy tales in this thrilling new volume. Inspire by everything from Hans Christian Andersen's "The Snow Queen" and "The Little Match Girl" to Charles Perrault's "Bluebeard" and "Cinderella" to the Brothers Grimm's "Hansel and Gretel" and "Rumpelstiltskin" to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico, here are stories that soar into boundless realms, filled with mischief and mystery and magic, and renewed by the lifeblood of invention. Although rooted in hundreds of years of tradition, they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature.