Breaking and Entering

THE FIRST NEW BOOK IN A DECADE FROM THE ACCLAIMED AUTHOR OF "STATE OF GRACE," "ESCAPES," "TAKING CARE," AND "BREAKING AND ENTERING"

Pulitzer Prize and National Book Award finalist Joy Williams has a one-of-a-kind gift for capturing both the absurdity and the darkness of everyday life. In "99 Stories of God," she takes on one of mankind's most confounding preoccupations: the Supreme Being.

This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It's the Book of Common Prayer as seen through a looking glass — a powerfully vivid collection of seemingly random life moments that is by turns comic and yearning and Kafkaesque. Kafka himself makes an appearance (talking to a fish), as do Tolstoy, the Aztecs, Abraham and Sarah, and O. J. Simpson. Most of Williams's characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He's standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he's in line to get a shingles vaccination:

"Have you ever had chicken pox?" asked the pharmacist.

"Of course," the Lord said.

"How did you hear about us?"

Herself the daughter of a minister, Joy Williams instinctively understands one sure truth about God: He always gets the last laugh.

With her singular brand of gorgeous dark humor, Joy Williams explores the various ways — comic, tragic, and unnerving — we seek to accommodate diminishment and loss. A masseuse breaks her rich client's wrist bone, a friend visits at the hospital long after she is welcome, and a woman surrenders her husband to a creepily adoring student. From one of our most acclaimed writers, is a rich examination of our capacity for transformation and salvation.

Nominated for the National Book Award in 1974, this haunting, profoundly disquieting novel manages to be at once sparse and lush, to combine Biblical simplicity with Gothic intensity and strangeness. It is the story of Kate, despised by her mother, bound to her father by ties stronger and darker than blood. It is the story of her attempted escapes−in detached sexual encounters, at a Southern college populated by spoiled and perverse beauties, and in a doomed marriage to a man who cannot understand what she is running from. Witty, erotic, searing acute, STATE OF GRACE bears the inimitable stamp of one of our fines and most provocative writers.

Stories deal with a young divorcee, a shared summer home, a troubled family, a wedding, childhood fears, the death of a pet, a lying child, and enlightenment.

Misanthropic Alice is a budding eco-terrorist; Corvus has dedicated herself to mourning; Annabel is desperate to pursue an ordinary American life of indulgences. Misfit and motherless, they share an American desert summer of darkly illuminating signs and portents. In locales as mirrored strange as a nursing home where the living dead are preserved, to a wildlife museum where the dead are presented as living, the girls attend to their future. A remarkable attendant cast of characters, including a stroke survivor whose soulmate is a vivisected monkey, an aging big-game hunter who finds spiritual renewal in his infatuation with an eight-year-old — the formidable Emily Bliss Pickles — and a widower whose wife continues to harangue him, populate this gloriously funny and wonderfully serious novel where the dead are forever infusing the living, and all creatures strive to participate in eternity.

The legendary writer’s first collection in more than ten years — and, finally, the definitive one. A literary event of the highest order.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar. Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.

Ben Marcus, one of the most innovative and vital writers of this generation, delivers a stellar anthology of the best short fiction being written today in America.

In , the beautiful, the strange, the melancholy, and the sublime all comingle to show the vast range of the American short story. In this remarkable anthology, Ben Marcus has corralled a vital and artistically singular crowd of contemporary fiction writers. Collected here are practitioners of deep realism, mind-blowing experimentalism, and every hybrid in between. Luminaries and cult authors stand side by side with the most compelling new literary voices. Nothing less than the American short story renaissance distilled down to its most relevant, daring, and unforgettable works, puts on wide display the true art of an American idiom.

Сказки — не для слабонервных: в них или пан, или пропал. Однако нас с детства притягивает их мир — не такой, как наш, но не менее настоящий. Это мир опасностей, убийств и предательств, вечного сна, подложных невест, страшно-прекрасных чудес и говорящих ослов.

Под двумя обложками-близнецами читателей ждут сорок историй со всего света. Апдайк, Китс, Петрушевская, Гейман и другие — вот они, современные сказочники. Но они и не сказочники вовсе, а искусные мастера литературы, а значит, тем больше у них шансов увести читателей в декорации слов, где вечные истории воплотятся вновь.

Вам страшно? Не беда. Жутко? Тем лучше. Не бойтесь темноты, вы ведь давно выросли. Хотя, быть может, это вам только кажется.

Michael Cunningham, Francine Prose, Aimee Bender, Kelly Link, Jim Shepard, and more than thirty other extraordinary writers celebrate fairy tales in this thrilling new volume. Inspire by everything from Hans Christian Andersen's "The Snow Queen" and "The Little Match Girl" to Charles Perrault's "Bluebeard" and "Cinderella" to the Brothers Grimm's "Hansel and Gretel" and "Rumpelstiltskin" to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico, here are stories that soar into boundless realms, filled with mischief and mystery and magic, and renewed by the lifeblood of invention. Although rooted in hundreds of years of tradition, they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature.

Перл – молодая жена и мать – теряет в авиакатастрофе мужа и остается жить с его семьей на острове. Население острова невелико: брат мужа, его странная жена, опустившийся профессор и дюжина детей. Детей ли?

Джой Уильямс – номинант Пулитцеровской премии, виртуозный мастер слова и гений-мыслитель, чей роман «Подменыш» вышел в 1978 году и сильно опередил своё время.

Как пишет переводчик книги Дмитрий Шепелев: «Это роман о любви и отчаянии, о женщинах и мужчинах, о взрослых и детях, о людях и зверях. Подобно жизни главной героини, он виртуозно избегает смысла, как птица – ловушки, он для этого слишком прекрасен, слишком чудовищен, слишком правдив. Эта история словно атональная симфония, шоковая терапия, стихийное бедствие – она вывернет вас наизнанку и заставит смеяться сквозь слезы. И главный жизненный урок, который вы получите: не спрашивай, за что мне это, спроси, зачем?»