Emerald Hell

Леденящий кровь мистический триллер в лучших традициях Стивена Кинга и Клайва Баркера, удостоенный престижной премии Брэма Стокера! Начало нового семестра выдалось для Калеба не слишком удачным. Трудности в учебе, депрессия, беспробудное пьянство… И в довершение всего жестокая смерть неизвестной студентки в его комнате. Одержимый непреодолимым желанием раскрыть это преступление, Калеб начинает собственное расследование, которое заведет его куда дальше, чем могло привидеться в самых страшных ночных кошмарах. Ведь в причудливых залах древнего университета проснулось настоящее Зло. И кровоточащие стигматы на руках Калеба неумолимо возвещают о его приближении.Книги американского «мастера ужасов» Тома Пиккирилли, четырехкратного лауреата премии Брэма Стокера, – настоящее открытие для русского читателя.

Джейкоб Омут, известный писатель, возвращается в дом своего детства. Десять лет назад он осиротел: уютный старый особняк, принадлежавший многие поколения его семье, стал местом настоящего кошмара. Его сестра, зарубив топором их брата и родителей, заперла мальчика в чулане и совершила ужасное самоубийство. Грядет годовщина той страшной ночи, и неведомая сила призывает Джейкоба вернуться в место, будто застрявшее между миром живых и миром мертвых. Туда, где водится кое-что пострашнее кошмарных воспоминаний. Где в глухих залах бродят зловещие призраки, а мрачные стены скрывают порочные тайны и темное семейное наследие. В место, где больные фантазии давно умершего писателя все еще пронизывают ткань реальности, а в лесах скрываются безымянные существа, терпеливо ждущие возвращения своего создателя.

Классический хоррор о доме с привидениями и семейном проклятии от «мастера ужасов» Тома Пиккирилли, получивший номинацию на премию Брэма Стокера в категории «Лучший роман». Откройте эту книгу темным дождливым вечером – и вам станет по-настоящему страшно.

Clay was an honest New York City cop driven to bring down the mob and make his city a little safer, even when it seemed like nothing he did made any difference. He always played by the rules until a two-bit junkie hit man destroyed his family and left him for dead. But Clay won’t let himself lie down until he gets one last thing: revenge.

Praise for Fuckin’ Lie Down Already

Jack Ketchum, author of RED and THE LOST: “This is a small masterpiece. It’s said that the devil’s in the details and Tom got all the details exactly right. I always said Pic was one to watch. Fuck watching. He’s utterly there. A voice to listen to and learn from.”

Ed Gorman, author of THE POKER CLUB, THE AUTUMN DEAD and THE DAY THE MUSIC DIED: “Short, tight, effective crime fiction. My kind of writing.”

Bill Pronzini, author of SPOOK and STEP TO THE GRAVEYARD EASY: “Hard, hard, hard noir, very well done.”

Al Sarrantonio, author of Moonbane and Orangefield: “A potent mix of GoodFellas and the classic 1950 Edmond O’Brien film D.O.A. A pedal-to-the-metal cops and mobsters roller coaster ride- this story delivers!”

This new volume of the world's most acclaimed Year's Best Horror series includes a masterful selection of the finest supernatural short stories and terrifying novellas from many of the biggest names and most exciting newcomers currently working in the genre. This is the very best of new short stories and novellas by today's masters of the macabre. Contributors include such names as Neil Gaiman, Michael Marshall Smith, Ramsey Campbell, Kim Newman and Glen Hirshberg. This is required reading for any fan of ghoulish fiction.

Winner of the 2009 British Fantasy Award.

Tras el regreso de las vacaciones navideñas, Caleb Prentiss hace un macabro descubrimiento: durante su ausencia, una chica desconocida ha sido brutalmente asesinada en su dormitorio. Para él, un estudiante frustrado por el tedio de los estudios, ese suceso supondrá algo más que un incidente extraño y se convertirá en una obsesión a la que aferrar su oscura vida de universidad. Emprenderá una búsqueda desesperada por averiguar la identidad de la chica y del misterioso asesino, una búsqueda que no podrá abandonar ni siquiera cuando toda su vida empiece a derrumbarse a su alrededor.

En un viaje iniciático a través del misterio, el miedo y la desesperación, Piccirilli eleva el listón del terror con una obra maestra indiscutible. Clase nocturna es algo más que una historia, es una sobrecogedora experiencia que muchos lectores tardarán en olvidar.

Chase was raised as a getaway driver by his grandfather, Jonah, a con man feared by even the hardened career criminals who make up his crew. But when Jonah crosses the line and murders one of his own, Chase goes solo, stealing cars and pulling scores across the country…And then he meets Lila, a strong-willed deputy sheriff with a beguiling smile who shows him what love can be. Chase is on the straight and narrow for the first time in his life-until tragedy hits, and he must reenter the dark world of grifters and crooks. Now Chase is out for revenge-and he'll have to turn to the one man he hates most in the world. Only Jonah can teach Chase how to become a stone-cold killer. But even as the two men work together, Chase knows that their unresolved past will eventually lead them to a showdown of their own.

The night Johnny Danetello drove a dying girl through the streets of Brooklyn in his cab, he was trying to save her life. Instead he ran down a cop and lost her and his freedom. Every day in prison, Johnny knew that Angie Monticelli's family blamed him for her death, and that going home would be suicide. But Johnny has unfinished business with his former friend turned mob boss, Vinny Monticelli.

Now Johnny has returned to converse with the doomed and the dead-and wait for Vinny to make his move. Survivors of a long-ago freak accident, the two men share access to alternate realities no one else can know-and to a past and present that will all become the same in a city only one of them can leave alive…

"There are plenty of horror writers who can effectively conjure spooks and evoke squalor and desperation, but few can match Piccirilli's skill with words…One of the great strengths in the book is its supporting cast, deftly drawn individuals with their own histories, fears, and motivations…NOVEMBER MOURNS is dark, ambiguous, strange, and sometimes surprisingly sweet. The horror here is as much about lost opportunities and failed attempts at salvation as it is about monsters and killers. If Eudora Welty had written about wraiths and haunted hills, it might have sounded like this. The taint in the land brings William Faulkner to mind, while the taint in the people is pure Flannery O'Connor. Piccirilli has taken Southern Gothic imagery and woven it with his own poetry to create something uniquely his own, a book of terrible beauty and beautiful terrors."-Locus

"Piccirilli creates a geography of pain and wonder, tenderness and savageness. There is as much poet as popular entertainer in Piccirilli's approach."-Cemetery Dance

This edition of Maxim Jakubowski’s Best New Erotica series auspiciously appears with a new collection of fiction from forty-eight artisans of the sensual. Selected from stories by more than 4,000 authors of erotica from around the world, these artful excursions into the libido represent the current states of desire in Great Britain, the United States, Canada, Australia, and France. In this third new volume of voluptuary pursuits, tales by popular talents in the arts of titillation like Michel Faber, Michael Crawley, M. Christian, O’Neil De Noux, Alison Tyler, and Cara Bruce stand alongside stories from promising newcomers to the field of erotic fiction. All of them nonetheless share a standard of excellence and elegance that takes their often humorous, sometimes dark, and always original fictions far beyond tired conventions. So it is that John Grant presents “The Adventures of Thomas the Rock Star in the Court of the Queen of Faery,” while Cheyenne Blue depicts the misadventures of a city girl in “Cactus Ass.” Then, too, there’s Dawn O’Hara’s “London Derrière.” Claire Tristram serves up “Tomatoes: A Love Story in Three Parts” while Susannah Indigo offers the combination of “Bacon, Lola and Tomato,” as Mark Ramsden relishes what’s “Truly Scrumptious.”