Even the Dead

Легендарният частен детектив на Реймънд Чандлър се завръща, за да разреши най-трудния случай в кариерата си!

Един топъл летен ден в офиса на Филип Марлоу се появява красива и заможна блондинка с черни очи на име Клеър Кавендиш. Клеър моли Марлоу да намери бившия ѝ любовник Нико Питърсън, който е изчезнал безследно, като настоява детективът да бъде изключително дискретен, за да не я злепостави пред съпруга ѝ.

На пръв поглед случаят изглежда съвсем тривиален - Питърсън е решил да прекрати връзката си с красивата блондинка и е напуснал живота ѝ, за да избегне мъчителната раздяла. Но в професията на Марлоу нещата рядко са такива, каквито изглеждат и не след дълго той се оказва въвлечен в тайния и опасен свят на най-богатите, влиятелни и безскрупулни семейства в Калифорния.

She looked at him and smiled sadly. ‘You’ve lived too long among the dead, Quirke,’ she said. He nodded. ‘Yes, I suppose I have.’ She was not the first one to have told him that, and she would not be the last. 1950s Dublin. When a body is found in the canal, pathologist Quirke and his detective friend Inspector Hackett must find the truth behind this brutal murder. But in a world where the police are not trusted and secrets often remain buried there is perhaps little hope of bringing the perpetrator to justice. As spring storms descend on Dublin, Quirke and Hackett’s investigation will lead them into the dark heart of the organisation that really runs this troubled city: the church. Meanwhile Quirke’s daughter Phoebe realises she is being followed; and when Quirke’s terrible childhood in a priest-run orphanage returns to haunt him, he will face his greatest trial yet.

Raymond Chandler's incomparable private eye is back, pulled by a seductive young heiress into the most difficult and dangerous case of his career.

"It was one of those summer Tuesday afternoons when you begin to wonder if the earth has stopped revolving. The telephone on my desk had the look of something that knows it's being watched. Traffic trickled by in the street below, and there were a few pedestrians, too, men in hats going nowhere."

So begins , a new novel featuring Philip Marlowe-yes, that Philip Marlowe. Channeling Raymond Chandler, Benjamin Black has brought Marlowe back to life for a new adventure on the mean streets of Bay City, California. It is the early 1950s, Marlowe is as restless and lonely as ever, and business is a little slow. Then a new client is shown in: young, beautiful, and expensively dressed, she wants Marlowe to find her former lover, a man named Nico Peterson. Marlowe sets off on his search, but almost immediately discovers that Peterson's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest families and developing a singular appreciation for how far they will go to protect their fortune.

Only Benjamin Black, a modern master of the genre, could write a new Philip Marlowe detective novel that has all the panache and charm of the originals while delivering a story that is as sharp and fresh as today's best crime fiction

Time has moved on for Quirke, the world-weary Dublin pathologist first encountered in Christine Falls. It is the middle of the 1950s, that low, dishonourable decade; a woman he loved has died, a man whom he once admired is dying, while the daughter he for so long denied is still finding it hard to accept him as her father. When Billy Hunt, an acquaintance from college days, approaches him about his wife's apparent suicide, Quirke recognises trouble but, as always, trouble is something he cannot resist. Slowly he is drawn into a twilight world of drug addiction, sexual obsession, blackmail and murder, a world in which even the redoubtable Inspector Hackett can offer him few directions.

Quirke – the hard-drinking, insatiably curious Dublin pathologist – is back, and he's determined to find his daughter's best friend, a well-connected young doctor

April Latimer has vanished. A junior doctor at a local hospital, she is something of a scandal in the conservative and highly patriarchal society of 1950s Dublin. Though her family is one of the most respected in the city, she is known for being independent-minded; her taste in men, for instance, is decidedly unconventional.

Now April has disappeared, and her friend Phoebe Griffin suspects the worst. Frantic, Phoebe seeks out Quirke, her brilliant but erratic father, and asks him for help. Sober again after intensive treatment for alcoholism, Quirke enlists his old sparring partner, Detective Inspector Hackett, in the search for the missing young woman. In their separate ways the two men follow April's trail through some of the darker byways of the city to uncover crucial information on her whereabouts. And as Quirke becomes deeply involved in April's murky story, he encounters complicated and ugly truths about family savagery, Catholic ruthlessness, and race hatred.

Both an absorbing crime novel and a brilliant portrait of the difficult and relentless love between a father and his daughter, this is Benjamin Black at his sparkling best.

In the Pathology Department it was always night. This was one of the things Quirke liked about his job…it was restful, cosy, one might almost say, down in these depths nearly two floors beneath the city's busy pavements. There was too a sense here of being part of the continuance of ancient practices, secret skills, of work too dark to be carried on up in the light. But one night, late after a party, Quirke stumbles across a body that shouldn't have been there…and his brother-in-law, eminent paediatrician Malachy Griffin – a rare sight in Quirke's gloomy domain – altering a file to cover up the corpse's cause of death. It is the first time Quirke encounters Christine Falls, but the investigation he decides to lead into the way she lived – and the reason she died – disturbs a dark secret that has been festering at the core of Dublin's high Catholic society, a secret ready to destabilize the very heart and soul of Quirke's own family…

La inocencia es el escondite perfecto del crimen. Dublín, años cincuenta. En un depósito de cadáveres, una turbia trama de secretos familiares y organizaciones clandestinas comienza a desvelarse tras el hallazgo de un cuerpo que nunca tendría que haber estado allí. Una oscura conspiración que abarca ambos lados del Altántico y que acaba envolviendo en un siniestro abrazo, inesperadamente, la vida misma de todos los protagonistas. Demos la bienvenida a Benjamin Black. Nos encontraremos lo mejor de un extraordinario escritor, John Banville, también entre la niebla, los vapores del whisky y el humo de los cigarrillos de un Dublín convertido en el escenario perfecto para la mejor literatura negra. Por sus magníficas descripciones de personajes y ambientes, con un lenguaje preciso, elegante e inteligente, John Banville está considerado como el gran renovador de la literatura irlandesa y uno de los más importantes escritores en lengua inglesa de la actualidad.

Ha pasado el tiempo para Quirke, el hastiado forense que conocimos en El secreto de Christine. La muerte de su gran amor y el distanciamiento de su hija han conseguido acentuar su carácter solitario, pero su capacidad para meterse en problemas continúa intacta.

Cuando Billy Hunt, conocido de sus tiempos de estudiante, le aborda para hablarle del aparente suicidio de su esposa, Quirke se da cuenta de que se avecinan complicaciones, pero, como siempre, las complicaciones son algo a lo que no podrá resistirse. De este modo se verá envuelto en un caso sórdido en el que se mezclan las drogas, la pornografía y el chantaje, y que una vez más pondrá en peligro su vida.

John Glass ha abandonado su carrera como periodista para escribir una biografía autorizada de su suegro, el magnate de la comunicación y antiguo agente de la CIA, Gran Bill Mulholland. Trabaja en un gran despacho en Manhattan y vuelve a casa (la mayoría de las noches) a los brazos de su rica y bella mujer…

Cuando decide contratar los servicios de un joven e insolente investigador, de asombroso parecido con un lémur, los turbios secretos de su familia política y, quizá, los suyos propios, amenazan con salir a la luz. Toda la cómoda existencia de Glass se tambalea, y acaba de derrumbarse con la muerte del Lémur: ¿quién lo mató?, ¿por qué?, ¿qué sabe?, ¿qué peligros acechan?