How the Dead Dream

Blending domestic thriller and psychological horror, this compelling page-turner follows a mother fleeing her estranged husband.

Lydia Millet’s chilling new novel is the first-person account of a young mother, Anna, escaping her cold and unfaithful husband, a businessman who’s just launched his first campaign for political office. When Ned chases Anna and their six-year-old daughter from Alaska to Maine, the two go into hiding in a run-down motel on the coast. But the longer they stay, the less the guests in the dingy motel look like typical tourists — and the less Ned resembles a typical candidate. As his pursuit of Anna and their child moves from threatening to criminal, Ned begins to alter his wife’s world in ways she never could have imagined.

A double-edged and satisfying story with a strong female protagonist, a thrilling plot, and a creeping sense of the apocalyptic, builds to a shattering ending with profound implications for its characters — and for all of us.

Mermaids, kidnappers, and mercenaries hijack a tropical vacation in this genre-bending sendup of the American honeymoon.

On the grounds of a Caribbean island resort, newlyweds Deb and Chip — our opinionated, skeptical narrator and her cheerful jock husband who’s friendly to a fault — meet a marine biologist who says she’s sighted mermaids in a coral reef.

As the resort’s “parent company” swoops in to corner the market on mythological creatures, the couple joins forces with other adventurous souls, including an ex — Navy SEAL with a love of explosives and a hipster Tokyo VJ, to save said mermaids from the “Venture of Marvels,” which wants to turn their reef into a theme park.

Mermaids in Paradise

Ghost LightsHow the Dead Dream

Ghost LightsGhost Lights

Lions, rabbits, monkeys, pheasants — all have shared the spotlight and tabloid headlines with famous men and women. Sharon Stone’s husband’s run-in with a Komodo dragon, Thomas Edison’s filming of an elephant’s electrocution and David Hasselhoff’s dogwalker all find a home in Love in Infant Monkeys. At the rare intersections of wilderness and celebrity, Lydia Millet hilariously tweaks these unholy communions to run a stake through the heart of our fascination with pop icons and the culture of human self-worship.

In much fiction, animals exist as author stand-ins — or even more reductively as symbols of good and evil. In Millet’s ruthless, lucid prose — each story based on a news item, biography, or other fact-based account of a celebrity-animal relationship — animals are as complex and rich as our imaginings of them. In these spiraling fictional riffs and flounces on real life, animals show up their humans as bloated with foolishness and yet curiously vulnerable — as in a tour-de-force, Kabbalah-infused interior monologue by Madonna after she shoots a pheasant on her English estate.

Сказки — не для слабонервных: в них или пан, или пропал. Однако нас с детства притягивает их мир — не такой, как наш, но не менее настоящий. Это мир опасностей, убийств и предательств, вечного сна, подложных невест, страшно-прекрасных чудес и говорящих ослов.

Под двумя обложками-близнецами читателей ждут сорок историй со всего света. Апдайк, Китс, Петрушевская, Гейман и другие — вот они, современные сказочники. Но они и не сказочники вовсе, а искусные мастера литературы, а значит, тем больше у них шансов увести читателей в декорации слов, где вечные истории воплотятся вновь.

Вам страшно? Не беда. Жутко? Тем лучше. Не бойтесь темноты, вы ведь давно выросли. Хотя, быть может, это вам только кажется.

Lydia Millet is one of the most acclaimed novelists of her generation (Scott Timberg, ). This stunning novel introduces Susan Lindley, a woman adrift after her husband's death. Suddenly gifted her great uncle's Pasadena mansion, Susan decides to restore his extensive collection of preserved animals, tending to the fur and feathers, the beaks, the bones and shimmering tails.Meanwhile, a menagerie of uniquely damaged humans including a cheating husband and a chorus of eccentric elderly women joins her in residence.

Millet's flawlessly beautiful() prose creates a setting both humorous and wondrous as Susan defends her inheritance from freeloading relatives and explores the mansion's many mysterious spaces. Funny and heartbreaking, is the story of a woman emerging from the sudden dissolution of her family. Millet's trademark themes evolution and extinction, children and parenthood, loss and wonder produce a rapturous final act to the critically acclaimed cycle of novels that began with.

Michael Cunningham, Francine Prose, Aimee Bender, Kelly Link, Jim Shepard, and more than thirty other extraordinary writers celebrate fairy tales in this thrilling new volume. Inspire by everything from Hans Christian Andersen's "The Snow Queen" and "The Little Match Girl" to Charles Perrault's "Bluebeard" and "Cinderella" to the Brothers Grimm's "Hansel and Gretel" and "Rumpelstiltskin" to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico, here are stories that soar into boundless realms, filled with mischief and mystery and magic, and renewed by the lifeblood of invention. Although rooted in hundreds of years of tradition, they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature.