A complex and mordant satire. Near-future America has become a dictatorship run by a fundamentalist Christian televangelist in the Jim Bakker mould, with the Constitution suspended, a religious police force of Deacons who root out heresy and liberalism by torture, and concentration camps for unbelievers. Control is reinforced at mass prayer meetings by the use of extravagant special effects projections – the Beast, the Whore of Babylon, and other Revelations favourites in 100-foot high 3D. The best effects programmer in the business is Charlie Mansard, an eccentric slob who would long ago have wound up in a camp but for his usefulness to the regime. Meanwhile, a terrorist group, the Lefthand Path, is setting bombs in public places. Harry Carlisle, a tough old-school NYPD cop, is tasked with nailing Lefthand Path, unaware that he is merely a pawn in a power struggle among the elite (and that his girlfriend is a terrorist sleeper agent). Some great jokes in here. Notice how Americans (the movie, Dennis Leary in , etc.) often jest about having a war with Canada? Well, in this novel, it’s the Canucks who do the invading. Oh, and Elvis is an officially-tolerated cult religion, followers dressed in His image, and His own Holy Book. The whole thing builds to a glorious climax when the special effects finally run amok and the regime comes crashing down. With the state of special FX in the movies now, this novel is entirely filmable. But would anyone have the balls? Not in Hollywood, probably.
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