Сын аккордеониста

The year is 1903, and Captain Lalande Biran, overseeing a garrison on the banks of the Congo, has an ambition: to amass a fortune and return to the literary cafés of Paris. His glamorous wife Christine has a further ambition: to own seven houses in France, a house for every year he has been abroad. At the Captain's side are an ex-legionnaire womaniser, and a servile, treacherous man who dreams of running a brothel. At their hands the jungle is transformed into a wild circus of human ambition and absurdity. But everything changes with the arrival of a new officer and brilliant marksman: the enigmatic Chrysostome Liège.

Irene is thirty-seven years old and just out of prison after a four-year sentence for terrorist involvement. On her first night of freedom, she wanders from bar to bar, picks up a stranger, and spends the night with him in a hotel. He treats her badly; she attacks him and escapes. She decides to return to her native Bilbao, and while waiting at the bus stop in Barcelona, she is approached by a man she believes to be a plainclothes policeman. By attaching herself to two nuns, she manages to board the bus without him, and her journey begins.Other passengers on the bus include another plainclothes policeman, who is joined by the first farther down the line. Conversations strike up, and there begins an intricate game of hide-and-seek between strangers as they open up a little, make advances and diversions, and sidestep nimbly. As the bus continues across Spain and the travelers come increasingly into focus, Atxaga builds up tensions that can be resolved only after their arrival in Bilbao.

2013 may be the best year yet for . The inimitable John Banville joins the list of distinguished preface writers for Aleksandar Hemon’s series, and A. S. Byatt represents England among a luminous cast of European contributors. Fans of the series will find everything they’ve grown to love, while new readers will discover what they’ve been missing!

"A brilliantly inventive writer… he understands the nature of storytelling and is at once terribly moving and wildy funny." — A.S. Byatt

Obabakoak The Observer