Скугга-Бальдур

The mind-bending miniature historical epic is Sjón's specialty, and is no exception. But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world-at what seems like history's most tumultuous, perhaps ultimate moment.

Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats-and adventures-of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

The year is 1635. Iceland is a world darkened by superstition, poverty, and cruelty.

Men of science marvel over a unicorn's horn, poor folk worship the Virgin in secret, and both books and men are burnt.

Jonas Palmason, a poet and self-taught healer, has been condemned to exile for heretical conduct, having fallen foul of the local magistrate. Banished to a barren island, Jonas recalls his gift for curing "female maladies," his exorcism of a walking corpse on the remote Snjafjoll coast, the frenzied massacre of innocent Basque whalers at the hands of local villagers, and the deaths of three of his children.

"Achingly brilliant, an epic made mad, made extraordinary." — Junot Díaz

"Hallucinatory, lyrical, by turns comic and tragic, this extraordinary novel should make Sjón an international name. His evocation of seventeenth century Iceland through the eyes of a man born before his time has stuck in my mind like nothing else I’ve read in the last year." — Hari Kunzru

SjónThe Blue FoxDancer in the DarkBiophilia

“ is a magical novel.”—

The year is 1883, and the stark Icelandic landscape is the backdrop for this spellbinding fable that is part mystery, part fairy tale. The fates of a priest, a naturalist, and a young woman with Down syndrome are intrinsically bound and gradually, surprisingly unraveled.

"'s fable…describes its world with brilliant, precise, concrete colour and detail while at the same time making things and people mysterious and ungraspable…The world of 19th-century Iceland is brilliantly and economically present: the bareness of the dwellings, the roughness of the churches and congregations, the meager food…The novel is a parable, comic, and lyrical about the nature of things." — for

SjonDancer in the Dark

"An extraordinary, powerful fable — a marvel." — Alberto Manguel

"Sjón writes like a man under a spell, filled with enchantment and magic and great wit. He is a rogue of the first order." — Keith Donohue

The year is 1949 and Valdimar Haraldsson, an eccentric Icelander with elevated ideas about the influence of fish consumption on Nordic civilization, has had the singular good fortune to be invited to join a Danish merchant ship on its way to the Black Sea.

Among the crew is the mythical hero Caeneus, disguised as the second mate. Every evening after dinner he entrances his fellow travelers with the tale of how he sailed with the fabled vessel, the Argo, on the Argonauts' quest to retrieve the Golden Fleece.

SjónFrom the Mouth of the Whale The Blue Fox The Blue Fox The Whispering Muse

Victoria Cribb