Выстрел из прошлого

Прощальные песни политических пигмеев Пиндостана.

This anthology was edited by Michael Connelly. His essay is called "Once Upon a Midnight Dreary."

A collection of stories by thriller master Edgar Allan Poe with essays by beloved and bestselling writers, to commemorate the 200th anniversary of Poe's birth. Authors involved include Michael Connelly, Jeffery Deaver, Nelson DeMille, Tess Gerritsen, Sue Grafton, Stephen King, Lisa Scottoline, Laura Lippman, and twelve others.

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Few have crafted stories as haunting as those by Edgar Allan Poe. Collected here to commemorate the 200th anniversary of Poe's birth are sixteen of his best tales accompanied by twenty essays from beloved authors, including T. Jefferson Parker, Lawrence Block, Sara Paretsky, and Joseph Wambaugh, among others, on how Poe has changed their life and work.

Michael Connelly recounts the inspiration he drew from Poe's poetry while researching one of his books. Stephen King reflects on Poe's insight into humanity's dark side in "The Genius of 'The Tell-Tale Heart.'" Jan Burke recalls her childhood terror during late-night reading sessions. Tess Gerritsen, Nelson DeMille, and others remember the classic B-movie adaptations of Poe's tales. And in "The Thief," Laurie R. King complains about how Poe stole all the good ideas… or maybe he just thought of them first.

Powerful and timeless, In the Shadow of the Master is a celebration of one of the greatest literary minds of all time.

The Mystery Writers of America, founded in 1945, is the foremost organization for mystery writers and other professionals dedicated to the field of crime writing.

Wyszły z domu i nigdy nie wróciły. Kilkunastoletnie siostry zniknęły bez śladu. Nigdy nie odnaleziono ich ciał. Nigdy nie rozwiązano zagadki ich zaginięcia.

Trzydzieści lat później zagadkowa kobieta powoduje wypadek samochodowy. Przesłuchiwana przez policję wyznaje, że jest jedną z sióstr Bethany – tą, która uszła z życiem z rąk porywacza. Jej oszczędnie dawkowane zeznania są jednak pełne luk i nieścisłości, a wskazywane przez nią tropy okazują się ślepymi uliczkami.

Czy naprawdę jest tym, za kogo się podaje? Dlaczego tak długo zwlekała z ujawnieniem się? Co stało się z jej siostrą?

W poszukiwaniu odpowiedzi detektyw wydziału zabójstw zagłębia się w przeszłość, z której z porażającą siłą wyłania się ponura tajemnica cierpienia i zbrodni.

'It's fascinating to see some of my favourite crime novelists coming together to create a taut, tense thriller; each chapter stands alone as a powerful story, yet they also combine seamlessly into a great read. Genuinely gripping.' – Harlan Coben

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With each crime writer picking up the story in their usual locale, each of the authors tell a gripping story of murder, betrayal and intrigue. Running through each story is a charm bracelet which brings bad luck wherever it's found. Set in locations ranging from nineteenth-century Georgia to wartime Leeds, the book features stories from contributors such as Peter Robinson (writing about 1940s Leeds), Fidelis Morgan, Lynda La Plante (1970s Britain), Val McDermid (1980s Scotland) and Mark Billingham tackling contemporary London.

Eliza Benedict cherishes her peaceful, ordinary suburban life. But her tranquility is shattered when she receives a letter from the last person she ever expects to hear from: Walter Bowman. There was your photo, in a magazine. I'd know you anywhere.

In the summer of 1985, when she was fifteen, Eliza was kidnapped by Walter. He had killed at least one girl and Eliza always suspected he had other victims as well. Now on death row for the rape and murder of his final victim, Walter seems to be making a heartfelt act of contrition. Having wondered why Walter had let her live, she cautiously makes contact with him.

Yet as Walter presses her for more and deeper contact, it becomes clear that he is after something greater than forgiveness. He wants Eliza to remember what really happened that long-ago summer. He wants her to save his life. And Eliza, who has worked hard for her comfortable life, will do anything to protect it – even if it means finally facing the terrible truth she's kept buried inside.

Brand new stories by: Ken Bruen, Eoin Colfer, Jason Starr, Laura Lippman, Olen Steinhauer, Peter Spiegelman, Kevin Wignall, Jim Fusilli, John Rickards, Patrick J. Lambe, Charlie Stella, Ray Banks, James O. Born, Sarah Weinman, Pat Mullan, Gary Phillips, Craig McDonald, Duane Swierczynski, Reed Farrel Coleman, and others.

Irish crime-fiction sensation Ken Bruen and cohorts shine a light on the dark streets of Dublin. Dublin Noir features an awe-inspiring cast of writers who between them have won all major mystery and crime-fiction awards. This collection introduces secret corners of a fascinating city and surprise assaults on the "Celtic Tiger" of modern Irish prosperity.

One of the most acclaimed novelists in America today, Laura Lippman has greatly expanded the boundaries of mystery fiction and psychological suspense with her Tess Monaghan p.i. series and her New York Times bestselling standalone novels (What the Dead Know, Life Sentences, I'd Know You Anywhere, etc.). With The Most Dangerous Thing, the multiple award winning author – recipient of the Anthony, Edgar®, Shamus, and Agatha Awards, to name but a few – once again demonstrates how storytelling is done to perfection. Set once again in the well-wrought environs of Lippman's beloved Baltimore, it is the shadowy tale of a group of onetime friends forced to confront a dark past they've each tried to bury following the death of one of their number. Rich in the compassion and insight into flawed human nature that has become a Lippman trademark while telling an absolutely gripping story, The Most Dangerous Thing will not be confined by genre restrictions, reaching out instead to captive a wide, diverse audience, from Harlan Coben and Kate Atkinson fans to readers of Jodi Picoult and Kathryn Stockett.

Hay preguntas que sólo los muertos podrían responder…

En 1975, dos hermanas, de once y quince años, desaparecieron en un centro comercial. Nunca fueron encontradas, y cientos de preguntas quedaron sin respuesta: ¿cómo pudieron secuestrar a dos niñas?, ¿quién o qué consiguió atraerlas fuera del centro sin dejar rastro? Treinta años después, una extraña mujer que se ha visto envuelta en un accidente de tráfico asegura ser una de las niñas. Pero su confesión y las posteriores evasivas con que responde a los investigadores sólo profundizan el misterio. ¿Dónde ha estado todos estos años?

Thirty years ago two sisters disappeared from a shopping mall. Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who – or what – could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness? Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been? Why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead end – a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household. In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?