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Лансдейл Джо Р. (32)

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Вкус ужаса: Коллекция страха. Книга II

Бэнкс Лесли Эсдейл

Вкус ужаса: Коллекция страха. Книга II

Бэнкс Лесли Эсдейл
Вкус ужаса: Коллекция страха. Книга II

Древний вампир оказывается в ловушке на тонущем «Титанике», но рано или поздно он вновь увидит лунный свет… Лучший друг человека превращается в его самый страшный кошмар… Исполняя последнюю волю умершего отца, сын проводит ночь в склепе и попадает в водоворот дьявольского ритуала… С того света не возвращаются, но, если тебя лишили жизни на потеху публике, ты вернешься, чтобы отомстить…

Более 50 авторов — от всемирно известного писателя Рэя Брэдбери до сценаристки Нэнси Холдер, чье имя мы привыкли видеть в титрах культового сериала «Баффи — истребительница вампиров». Более 50 произведений — от научной фантастики до готического романа. Более 50 ваших самых страшных кошмаров о кровожадных вампирах и мстительных призраков.

999. Имя зверя

Лансдейл Джо Р.

999. Имя зверя

Лансдейл Джо Р.
999. Имя зверя

Это — 1999 год. Год, который должен был стать временем Апокалипсиса — но не стал. Или все-таки стал, только мы пока не заметили этого — и не заметим, пока не станет поздно?

Это — 1999 год. Такой, каким увидели его величайшие из мастеров «литературы ужасов» нашего мира. Писатели, хорошо знающие: Апокалипсис начинается не с трубного гласа, поднимающего мертвых, но со Страха, живущего в душе у каждого из нас.

Это — 999 глазами непревзойденного Стивена Кинга. И мчится по дороге Смерть…

Это — 999 по Уильяму Питеру Блэтти. И те, что ушли, говорят с живыми…

Это — 999 Бентли Литтла. И исчезает грань меж явью и кошмаром…

Это — 999 год Дэвида Моррелла, Джойс Кэрол Оутс, Нэнси Коллинз. И еще многих из тех, кому нет равных в умении повергать читателя в черный, иррациональный Ужас…

Sex, Thugs, Roll, and Rock & Roll

Лансдейл Джо Р.

Sex, Thugs, Roll, and Rock & Roll

Лансдейл Джо Р.
Sex, Thugs, Roll, and Rock & Roll

An anthology of stories edited by Todd Robinson

My fingers can't find the bullet holes. They're there, because they brought me down.

Like a guitar riff sharp enough to slit a throat or the devil's amplifiers shrieking through the lonely night, this bonanza of blood and brawn rings with the vibe of the best new noir suspense. Culled from the net's most hardcore, award-winning site, these fresh, raw, and uncut stories pack a stiff punch…

"As long as she keeps calling me, there's hope. Hope is a dangerous thing."

No matter where you turn-a pair of bisexual, ass-kicking Vikings on a slaughter trip; a sexy forty-something thief with angles as lethal as her curves; a porn-comic artist up against one deadly last laugh; a city's most savage gang under the gun and way out of time; or a south-of-the-borderland sleaze pit where everyone's a winner-no one gets out alive…

"Escape is a bitch. A man alone and on foot would have to be crazy to try. Apparently he was."

Rev up for a speed-fueled hell-trip through the dark side, where a backbeat can kill, no scene falls short of badass, and the hooligans bay at the moon…

"This book is dripping so much blood and guts and marrow, it's impossible to read it in more than a single sitting. Be prepared to be shattered, shell-shocked and bruised, as Thuglit's emissaries continue to write wrongs that are very, very right." -Sarah Weinman

Big Daddy Thug/Todd Robinson's writing has appeared in Plots With Guns, Danger City, Demolition, Out Of The Gutter, Pulp Pusher, Crimespree and Writers Digest's The Year's Best Writing 2003. He was nominated for a 2006 Derringer Award from the Short Mystery Fiction Society, and is the creator and chief editor of Thuglit.com.

The stories he's edited for Thuglit.com have been nominated for several awards, including The Derringer and The Million Writer's Award, and been have been selected for The Best American Mystery Stories and Best Noir 2006.

He lives and works in New York with his wife (Lady Detroit), a ferret named Matilda, and three freakin' cats.

На солнце или в тени

Эбботт Меган

На солнце или в тени

Эбботт Меган
На солнце или в тени

Самую, пожалуй, мрачную картину – «Комнату в Нью-Йорке» – выбрал Стивен Кинг, подаривший сборнику зловещий рассказ о семье Эндерби и о их способе выжить во времена Великой депрессии. Самая изысканная – «Одиннадцать утра» – вдохновила «живого классика» американской литературы Джойс Кэрол Оутс на элегантную и безжалостную историю, где практически стирается тонкая грань между любовью, ненавистью и… преступлением. А самая знаменитая – «Полуночники» – «досталась» Майклу Коннелли. И это справедливо: кому, как не любителю джаза, детективу Гарри Босху, и пытаться разгадать тайну этого полотна? Также в работы Эдварда Хоппера вдохнули «литературную жизнь» Джеффри Дивер, Ли Чайлд и Лоренс Блок. Хотя, возможно, читатель увидит в его картинах «свою» историю, которая будет ждать, чтобы ее рассказали…

A Fine Dark Line

Лансдейл Джо Р.

A Fine Dark Line

Лансдейл Джо Р.
A Fine Dark Line

It is the summer of 1958 in Dewmont, Texas, a town the great American postwar boom passed by. The kids listen idly to rockabilly on the radio and waste their weekends at the Dairy Queen. And an undetected menace simmers under the heat that clings to the skin like molasses... For thirteen-year-old Stanley Mitchell, the end of innocence comes with his discovery of the mysterious long-ago demise of two very different young women. In his quest to unravel the truth about their tragic fates, Stanley finds a protector in Buster Lighthorse Smith, a black, retired Indian-reservation cop and a sage on the finer points of Sherlock Holmes, the blues, and life's faded dreams. But not every buried thing stays dead. And on one terrifying night of rushing creek water and thundering rain, an arcane, murderous force will rise from the past to threaten the boy in a harrowing rite of passage... Vintage Lansdale, A Fine Dark Line brims with exquisite suspense, powerful characterizations, and the vibrant evocation of a lost time.

From Publishers Weekly

The atmosphere is as thick as an East Texas summer day in Edgar-winner Lansdale's (The Bottoms) engaging, multilayered regional mystery, which harks back to 1958. Thirteen-year-old Stanley Mitchel, Jr., has enough on his hands just growing up in Dewmont, Tex., when he literally stumbles on a buried cache of love letters. Stanley pursues the identity of the two lovers with help from the projectionist at his family's drive-in, an aged black man who quotes Sherlock Holmes and doesn't mince words about the world's injustices. As the truth of a gruesome 20-year-old double murder comes to light in the sleepy town, so do the facts of life, death, men, women and race for young Stanley. Unfortunately, this wealth of experience sometimes strains credulity. For instance, Stanley, his sister, Callie, and friend Richard witness a secret burial, see a local phantom, are chased by a murderer and barely miss being hit by a train-all in one night. As the older and wiser Stanley says of the past, "More had happened to my family in one summer than had happened in my entire life." The "down-home" dialect is occasionally overdone, too, with more ripe sayings than Ross Perot on caffeine. But Lansdale clearly knows and loves his subject and enlivens his haunting coming-of-age tale with touches of folklore and humor.

From Booklist

Lansdale makes a rich stew of memory and mystery in the voice of Stanley Mitchel Jr., who is 13 in 1958 and is writing down, in midlife, what he recalls. His parents own the drive-in in Dewmont, Texas; his dad calls his mom "Gal"; his sister, Callie, is turn-your-head pretty and feisty besides. Stanley finds in the burnt ruins behind the drive-in a cache of love letters. Stanley--innocent enough at the beginning of the story to still believe in Santa Claus--is fascinated by the letters and soon learns that the fire marked the deaths of two young women, long ago. Those deaths ripple through the pages, as Stanley struggles with knowledge of good and evil: his friend Richard's abusive dad; the black cook's stalker boyfriend; the drive-in projectionist who faces twin demons of age and alcohol. Stanley's mother, father, and sister are vivid, glowing personages. Stanley doesn't unravel everything, but race and power, and what people do to each other in the name of desire and religion, coalesce to a mighty climax. 

Hyenas

Лансдейл Джо Р.

Hyenas

Лансдейл Джо Р.
Hyenas

Hyenas marks the always-welcome return of Joe R. Lansdale’s most indelible fictional creations: Hap Collins and Leonard Pine. Once again, the embattled but resilient duo find themselves enmeshed in a web of danger, duplicity, and escalating mayhem. The result is a tightly compressed novella that is at once harrowing, hilarious, and utterly impossible to put down.

The story begins with a barroom brawl that is both brutal and oddly comic. The ensuing drama encompasses abduction, betrayal, robbery, and murder, ending with a lethal confrontation in an East Texas pasture. Along the way, readers are treated to moments of raucous, casually profane humor and to scenes of vivid, crisply described violence, all related in that unmistakable Lansdale voice. An essential addition to an already imposing body of work, Hyenas shows us both the author and his signature characters at their inimitable best. It doesn’t get better than this.

Hyenas also includes the bonus Hap Collins short story, “The Boy Who Became Invisible”.

From Publishers Weekly

In Lansdale's wry, casually violent novella about roughneck buddies Hap Collins (white and straight) and Leonard Pine (African-American and gay), the two knights-errant befriend a hapless fellow whose younger, weaker brother has fallen in with extremely bad company—he's just joined a gang of bank robbers whose leader is used to increasing his own share of the loot by killing the other gang members. As usual, the dialogue is deadpan tart and the action extreme but convincing. Readers will find themselves simultaneously grinning and flinching. The book also includes "The Boy Who Became Invisible," a story Hap tells about something he witnessed years before, perhaps explaining why he's inclined to stand up for people who aren't as good at defending themselves as he and Leonard grew up to be. Lansdale (Vanilla Ride) once again proves he's the East Texas master of redneck noir.  

Lost Echoes

Лансдейл Джо Р.

Lost Echoes

Лансдейл Джо Р.
Lost Echoes

Since a mysterious childhood illness, Harry Wilkes has experienced horrific visions. Gruesome scenes emerge to replay themselves before his eyes. Triggered by simple sounds, these visions occur anywhere a tragic event has happened. Now in college, Harry feels haunted and turns to alcohol to dull his visionary senses. One night, he sees a fellow drunk easily best three muggers. In this man, Harry finds not only a friend that will help him kick the booze, but also a sensei who will teach him to master his unusual gift. Soon Harry’s childhood crush, Kayla, comes and asks for help solving her father’s murder. Unsure of how it will affect him, Harry finds the strength to confront the dark secrets of the past, only to unveil the horrors of the present.

From Publishers Weekly

In this superior East Texas crime thriller from Stoker-winner Lansdale (), Harry Wilkes discovers after a severe childhood ear infection that he has a peculiar "hindsight." Harry can not only see dead people but see and hear violent events as they occurred in the recent or distant past. "It's like I hear and see ghosts in sounds," he tells his father. By the time he's a college student, Harry's psychic abilities have driven him to booze. After meeting alcoholic Tad Peters, a retired martial arts expert, Harry becomes Tad's surrogate son and student. The two forge a pact to sober up together. Their resolve is tested when Harry agrees to help Kayla Jones, an old childhood crush now a cop, solve her father's murder, which her boss, the local police chief, has dismissed as a suicide. Lansdale's down-home prose erupts with explosive twists and razor sharp insights into how "echoes from the original sounds" can never be silenced until action is taken to defeat the fear that created them.

From Booklist

The prolific Lansdale returns, after sojourns in pulp, sf, and horror, to work his peculiar mojo on the supernatural crime thriller. Harry Wilkes has inherited his family's curse of experiencing "dark sounds," full-sensory recordings of traumatic events that can be unleashed by, for example, the banging of a toilet lid upon which a guy once blew his brains out. Booze helps hold the "ghosts in the noise" at bay, but his life as a drunken recluse isn't going well. He gets things under control with the help of an eccentric sensei named Tad, but when a boyhood girlfriend named Kayla comes home to find her father's killer, Harold grits his teeth and journeys into the dark once more. Lansdale's prose finds the perfect pitch between the laid-back cadences of front-porch storytelling and the thriller's demand for growing urgency. He is a bit unreconstructed when it comes to gender relations--or at least the vocabulary to describe them--but he's got both the charisma and the balls to pull it off. Funny and scary, with a barn-burner ending. 

High Cotton: Selected Stories of Joe R. Lansdale

Лансдейл Джо Р.

High Cotton: Selected Stories of Joe R. Lansdale

Лансдейл Джо Р.
High Cotton: Selected Stories of Joe R. Lansdale

Twenty-one stories for mature audiences only!

This collection of Joe R. Lansdale stories represents the best of the “Lansdale” genre—a strange mixture of dark crime, even darker humor, and adventure tales. Though varied in setting and theme, all the stories are pure Lansdale—eerie, amusing, and occasionally horrific. In “The Pit,” modern gladiators square off against one another using Roman methods. An alternate-history tale called “Trains Not Taken” shows Buffalo Bill as an ambassador and Wild Bill Hickok as a clerk. Lansdale’s love of large lizards and humor are evident in the stories “Godzilla’s Twelve Step Program” and “Bob the Dinosaur Goes to Disneyland.”

The career of Joe R. Lansdale has spanned more than twenty-seven years, in which period he has written over two hundred short stories. This collection is the best of these. As Lansdale states in his Introduction, ". these stories are the ones I think best reflect my work." Some of these are obviously horrific : others, the realization will slowly, surely creep upon one. Others will visit alternate history, humor, or dark crime. Mixing the impossible, the improbable, and the never-before-thought-of, Lansdale uses his innate East Texas storytelling abilities to perfection. As an added bonus, each story starts with an introduction by Lansdale, describing the story-behind-the-story.