Мак-Кланахан Скотт (2)

"McClanahan's prose is miasmic, dizzying, repetitive. A rushing river of words that reflects the chaos and humanity of the place from which he hails. [McClanahan] aims to lasso the moon… He is not a writer of half-measures. The man has purpose. This is his symphony, every note designed to resonate, to linger."

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" is the genuine article: intelligent, atmospheric, raucously funny and utterly wrenching. McClanahan joins Daniel Woodrell and Tom Franklin as a master chronicler of backwoods rural America."

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"The book that took Scott McClanahan from indie cult writer to critical darling is a series of tales that read like an Appalachian Proust all doped up on sugary soft drinks, and has made a fan of everybody who has opened it up."

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"McClanahan’s deep loyalty to his place and his people gives his story wings: 'So now I put the dirt from my home in my pockets and I travel. I am making the world my mountain.' And so he is."

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"[ is] a wild and inventive book, unquestionably fresh of spirit, and totally unafraid to break formalisms to tell it like it was."

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"Part memoir, part hillbilly history, part dream, McClanahan embraces humanity with all its grit, writing tenderly of criminals and outcasts, family and the blood ties that bind us."

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"A brilliant, unnerving, beautiful curse of a book that will both haunt and charmingly engage readers for years and years and years."

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"McClanahan's style is as seductive as a circuit preacher's. is both an homage and a eulogy for a place where, through the sorcery of McClanahan's storytelling, we can all pull up a chair and find ourselves at home."

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"Epic. McClanahan’s prose is straightforward, casual, and enjoyable to read, reminiscent at times of Kurt Vonnegut. is one of the rare books that, after you reach the end, you don’t get up to check your e-mail or Facebook or watch TV. You just sit quietly and think about the people of the book and how they remind you of people you used to know. You feel lucky to have known them, and you feel grateful to McClanahan for the reminder."

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When Scott McClanahan was fourteen he went to live with his Grandma Ruby and his Uncle Nathan, who suffered from cerebral palsy. is a portrait of these formative years, coming-of-age in rural West Virginia.

Peopled by colorful characters and their quirky stories, interweaves oral folklore and area history, providing an ambitious and powerful snapshot of overlooked Americana.

Scott McClanahanStories IIStories V!BOMB, ViceNew York TyrantHill William

"Scott McClanahan is a powerful, exceptional writer, and the overall effect of reading his deceptively simple stories is like getting hit in the head by a champion cage fighter cranked up on meth that was cooked in a trailer without running water in some Kentucky backwoods where people sing murder ballads to their children to put them to sleep." — DONALD RAY POLLOCK, author of "The Devil All the Time"

"He might be one of the great southern storytellers of our time." — VOL. 1 BROOKLYN

"When I discovered the stories of Scott McClanahan last year, I was instantly enthralled with his natural storytelling voice and freaky funny tales. There's no pretense to Scott's work. It's like you're just dropped right into the middle of these fantastic and true stories. It's like a sweet blend of my favorite southern writers, Larry Brown and Harry Crews. Reading McClanahan is like listening to a good friend telling you his best real-life stories on your back porch on a humid night. And you both got a nice whiskey buzz going." — KEVIN SAMPSELL, author of "A Common Pornography"

"McClanahan's prose is unfettered and kinetic and his stories seem like a hyper-modern iteration of local color fiction. His delivery is guileless and his morality ambivalent and you get the sense, while reading him, that he is sitting next to you on a barstool, eating peanuts and drinking a beer, and intermittently getting up to pick a song on the jukebox." — THE RUMPUS

"Reads like Bukowski with more surprises." — IMPOSE MAGAZINE