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Бакстер Стивен (34)

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Evolution

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Evolution

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Evolution

Evolution

The primary protagonist in is evolution itself (although primates as a group constitute another protagonist). The book follows the hero’s course as it shapes surviving pre-humans into tree dwellers, remoulds a group that drifts from Africa to a (then much closer) New World on a raft formed out of debris, and confronting others with a terrible dead end as ice clamps down on Antarctica.

The stream of DNA runs on elsewhere, where ape-like creatures in North Africa are forced out of their diminishing forests to come across grasslands where their distant descendants will later run joyously. At one point, hominids become sapient, and go on to develop technology, including a universal constructor machine that goes to Mars and multiplies, and in an act of global ecophagy consumes Mars by converting the planet into its descendants. Human extinction (or the extinction of human culture) also occurs in the book, as well as the end of planet Earth and the rebirth of life on another planet. (The extinction-level event that causes the human extinction is, indirectly, an eruption of the volcano Rabaul, coupled with various actions of humans themselves, some of which are only vaguely referred to, but implied to be a form of genetic engineering which removed the ability to reproduce with non-engineered humans.) Also to be found in are ponderous Romans, sapient dinosaurs, the last of the wild Neanderthals, a primate who witnesses the extinction of the dinosaurs, symbiotic primate-tree relationships, mole people, and primates who live on a Mars-like Earth.

The Improbable Adventures of Sherlock Holmes

Хэмбли Барбара

The Improbable Adventures of Sherlock Holmes

Хэмбли Барбара
The Improbable Adventures of Sherlock Holmes

An anthology of stories

Sherlock Holmes is back!

Sherlock Holmes, the world’s first-and most famous-consulting detective, came to the world’s attention more than 120 years ago through Sir Arthur Conan Doyle’s novels and stories. But Conan Doyle didn’t reveal all of the Great Detective’s adventures…

Here are some of the best Holmes pastiches of the last 30 years, twenty-eight tales of mystery and the imagination detailing Holmes’s further exploits, as told by many of today’s greatest storytellers, including Stephen King, Anne Perry, Anthony Burgess, Neil Gaiman, Naomi Novik, Stephen Baxter, Tanith Lee, Michael Moorcock, and many more.

These are the improbable adventures of Sherlock Holmes, where nothing is impossible, and nothing can be ruled out. In these cases, Holmes investigates ghosts, curses, aliens, dinosaurs, shapeshifters, and evil gods. But is it the supernatural, or is there a perfectly rational explanation?

You won’t be sure, and neither will Holmes and Watson as they match wits with pirates, assassins, con artists, and criminal masterminds of all stripes, including some familiar foes, such as their old nemesis, Professor Moriarty.

In these pages you’ll also find our heroes crossing paths with H. G. Wells, Lewis Carroll, and even Arthur Conan Doyle himself, and you’ll be astounded to learn the truth behind cases previously alluded to by Watson but never before documented until now. These are tales that take us from the familiar quarters at 221B Baker Street to alternate realities, from the gaslit streets of London to the far future and beyond.

Whether it’s mystery, fantasy, horror, or science fiction, no puzzle is too challenging for the Great Detective. The game is afoot!

Longtusk

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Longtusk

Бакстер Стивен
Longtusk

Meticulously researched, simply told and appropriate for readers of all ages, this second volume (after 1999’s ) in Baxter’s trilogy brings to compelling life the complex culture of these giant creatures. It’s sixteen thousand years B.C., and woolly mammoths roam the earth, inhabiting the steppes of Beringia, the land bridge linking Asia and North America. Climactic changes have caused the steppes to recede, but humans, whom the mammoths call Fireheads, pose the greatest threat to their survival. Longtusk, whose coming-of-age story this is, must save the mammoths by spearheading an epic journey. Separated from his family, Longtusk is enslaved by the Fireheads, who make him a beast of burden. But a Dreamer (Neanderthal) woman foretells his future: Longtusk will die, along with the Dreamer who once saved his life and that of the Firehead matriarch, Crocus. Although Longtusk escapes his captors and finds a steppe that will support a small mammoth herd, years later Crocus and her people return, seeking to drive the mammoths away from their habitat. Longtusk embarks on a final heroic mission to save the mammoths and meet his fate. The book’s themes of ecological disaster, warfare and change resonate deeply with today’s concerns. When a mastodont tells Longtusk, "You and I must take the world as it is. [The Fireheads] imagined how it might be different. Whether it’s better is beside the point; to the Fireheads, change is all that matters," it’s clear that humans have not changed at all.

Icebones

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Icebones

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Icebones

Transported to the Sky Steppe of Mars in the final, satisfying book in British author Baxter’s highly original Mammoth trilogy (), his engaging wooly characters face an abandoned and potentially lethal terraforming experiment left there by humans (aka “the Lost”). Matriarch mammoth Silverhair’s daughter, Icebones, awakens from an unnatural slumber to find herself in a land and time far from her native Pleistocene earth. The mammoths here have no knowledge of their ancient culture, such as the teachings of their mighty progenitor, Kilukpuk. Mammoth tradition says the Sky Steppe is “the Island in the sky where... mammoths would one day find a world of their own, free from the predations and cruelty of the Lost, a world of calm and plenty” yet whatever promise Mars once held is fading now as the changes made by human engineers are reversed under the assault of the red planet’s uncompromising weather and geology. Icebones’s companions, used to depending on the Lost for everything, can’t possibly survive alone. Their only hope is to cross half the world to reach the Footfall of Kilukpuk, a rich valley full of all the sweet grass and water the mammoths need. The journey is long and treacherous, but as the beasts’ great Cycle says, “The mammoth dies, but mammoths live on.” Baxter fills the tale with taut adventure and splendid settings, making it easy to suspend disbelief.

Exultant

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Exultant

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Exultant

In humankind’s Third Expansion, the species has spread throughout the galaxy and assimilated all challengers but the mysterious Xeelee; in a 20,000-year stalemate, humans have kept them at bay in the galaxy’s center. Time travel (used by both sides to gather intelligence) creates numerous “drafts” of time lines, but apart from this uncertainty the endless war has brought about a strangely static human society. Soldiers and pilots are bred in vats near the Front and taught only war; few survive past their teens. When Prius, a young pilot, captures a Xeelee ship and takes it to the recent past for study, an innovative program is begun to develop new weapons technology. While Prius Blue (the pilot from the future time line, now stuck in this one) is sent to the Front, the younger Prius Red (from this time line) must travel throughout the solar system with an eccentric but brilliant scientist in a quest for knowledge needed for the anti-Xeelee weapon. Working with widely differing elements of society, Red learns many secrets he’d rather not know, adjusts to new knowledge, and grows into a leadership role: he heads up Exultant, the elite squadron tasked with deploying the new weapon. Even in a genre characterized by unfettered imagination, Baxter’s future universe is extraordinary in its depth, breadth, and richness of invention. Cutting-edge physics, subtle humor, time-travel paradoxes, and loopy twists combine to give readers a wonderfully original sci-fi experience. It can be read independently of , which is set in the same universe but mostly in the present age.

Transcendent

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Transcendent

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Transcendent

Set in the same vast time scale and future as (2003) and (2004), can be read independently. Michael Poole is a middle-aged engineer in the year of the digital millennium (2047) and Alia is a recognizably human (but evolved) adolescent born on a starship half a million years later. Michael still dreams of space flight, but the world and its possibilities are much diminished due to environmental degradation. The gifted teen has studied Michael’s life, for the Poole family played a pivotal role in creating the human future, and thus her world. Through seemingly supernatural apparitions, Alia bridges time to communicate with Michael as they determine the future of humanity. The Pooles are a troubled family, and readers will appreciate the conflict between Michael and his son as they are forced to find common ground in a struggle to reverse the final tipping point of global warming. Teens will also understand Alia’s alarm, and her growing determination to choose her own destiny, when she is selected to join the Transcendents and is rushed into their unimaginable post-human reality. This is visionary, philosophical fiction, rich in marvels drawn from today’s cutting-edge science. A typical paragraph by Baxter might turn more ideas loose on readers than an entire average, mundane novel does, but all this food for thought is delivered with humor and compassion. Experienced SF readers will enjoy sinking their teeth into the story, while general readers who have enjoyed near-future, science-based suspense novels such as those by Michael Crichton will discover here that science fiction can set a higher, much richer standard than what they’ve experienced before.

Лучшее за год XXV.I Научная фантастика. Космический боевик. Киберпанк

Барнс Джон

Лучшее за год XXV.I Научная фантастика. Космический боевик. Киберпанк

Барнс Джон
Лучшее за год XXV.I Научная фантастика. Космический боевик. Киберпанк

Первая половина оригинального двадцать пятого выпуска ежегодной антологии «Лучшая научная фантастика за год» под редакцией Гарднера Дозуа, в русском издании разбитого на две части.

Свои новые работы на суд читателей выносят Джон Барнс, Роберт Сильверберг, Брюс Стерлинг, Майкл Суэнвик, Тед Чан, Кейдж Бейкер, Грег Иган, Пэт Кадиган, Тед Косматка, Брайан Стэблфорд и многие другие. Путешествия к далеким мирам и вглубь веков, загадки истории и Вселенной, постапокалиптические сюжеты и фантастико-детективные истории — вся палитра жанра на страницах новой антологии Гарднера Дозуа. Благодаря мастерству признанных мэтров у читателей появится уникальная возможность увидеть мир глазами пришельцев с другой планеты или перенестись в Англию времен Шекспира, заглянуть в постапокалиптическое будущее или альтернативное прошлое.

Содержание:

Дэвид Моулз. Финистерра (рассказ, перевод Е. Коротнян), стр. 5-41

Кен Маклеод. Выключить свет (рассказ, перевод Г.В. Соловьёвой), стр. 42-62

Джон Барнс. Океан — всего лишь снежинка за четыре миллиарда миль отсюда (рассказ, перевод Е. Третьяковой), стр. 63-100

Гвинет Джонс. Спасти Тиамат (рассказ, перевод Г. Корчагина), стр. 101-122

Джеймс Ван Пелт. Снилась мне Венера (рассказ, перевод К. Павловой), стр. 123-144

Йен Макдональд. Кольцо Верданди (рассказ, перевод О. Ратниковой), стр. 145-162

Уна Маккормак. Море (рассказ, перевод О. Ратниковой), стр. 163-177

Крис Роберсон. Огромное небо и маленькая Земля (рассказ, перевод О. Ратниковой), стр. 178-203

Грег Иган. Ореол (рассказ, перевод А. Новикова), стр. 204-232

Роберт Сильверберг. Против течения (рассказ, перевод Г.В. Соловьёвой), стр. 233-251

Нил Эшер. Находка в песках (повесть, перевод О. Ратниковой), стр. 252-309

Тед Чан. Торговец и врата алхимика (рассказ, перевод Е. Коротнян), стр. 310-336

Джастин Стэнчфилд. По ту сторону Стены (рассказ, перевод Н. Кудрявцева), стр. 337-359

Брюс Стерлинг. Киоск (рассказ, перевод Н. Ибрагимовой), стр. 360-406

Стивен Бакстер. Последний контакт (рассказ, перевод К. Павловой), стр. 407-419

Аластер Рейнольдс. Дочь санника (рассказ, перевод Г.В. Соловьёвой), стр. 420-441

Йен Макдональд. Санджев и робоваллах (рассказ, перевод Г.В. Соловьёвой), стр. 442-459

Майкл Суэнвик. Рассказ небесного матроса (рассказ, перевод Г.В. Соловьёвой), стр. 460-491