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An Afghanistan Picture Show: Or, How I Saved the World

Аннотация

In 1982 William T. Vollmann, one of our most versatile talents, traveled to see the war in Afghanistan. In An Afghanistan Picture Show, his first book-length work of non-fiction, Vollmann paints a brutally honest and dryly comic portrait of a young American coming to terms with his political naivete. It is the story of a would-be giver who finds himself a perpetual Stranger, unable to comprehend the simplest things he hears and sees, and continually compelled to rely on others for help. In two narrative perspectives, Vollmann wryly confronts his own inadequacy in the face of limitless suffering and comes to the realization that one who went to aid and to understand could only hope, trust, and receive. In An Afghanistan Picture Show Vollmann describes a Cold War world of spies and lurking strangeness, a world in which his younger self asks unanswerable questions of orphans, refugees, guerrilla leaders, bureaucrats, corrupt officials, and prescient has-been politicians. He tells of Pakistan, a country as gracious in spirit as she is materially poor. And in his unnerving innocence Vollmann explores a land in which others continually invest him with almost supernatural powers simply because he is American. An ingenious narrative which inverts the very concept of the "white man's burden" and questions the idea of "truth" in non-fiction, An Afghanistan Picture Show stands as William T. Vollmann most entertaining-and autobiographical-work to date.

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Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater, with Some Thoughts on Muses (Especially Helga Testorf), Transgender Women, ... Geishas, Valkyries and Venus Figurines
Воллманн Уильям Т
Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater, with Some Thoughts on Muses (Especially Helga Testorf), Transgender Women, ... Geishas, Valkyries and Venus Figurines

From the National Book Award-winning author of comes a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty….

What is a woman? To what extent is femininity a performance? Writing with the extraordinary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look into the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself.

Sweeping readers from the dressing room of one of Japan's most famous Noh actors to a transvestite bar in the red-light district of Kabukicho, explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of attraction and loss as Mishima, Kawabata and even Andrew Wyeth. From old Norse poetry to Greek cult statues, from Japan's most elite geisha dancers to American makeup artists, from Serbia to India, Vollmann works to extract the secrets of staged femininity and the mystery of perceived and expressed beauty, including explorations of gender at a transgendered community in Los Angeles and with Kabuki female impersonators.

Kissing the Mask