Casanova in Bolzano

An early novel from the great rediscovered Hungarian writer Sándor Márai is a haunting story of a group of alienated boys on the cusp of adult life—and possibly death—during World War I.

It is the summer of 1918, and four boys approaching graduation are living in a ghost town bereft of fathers, uncles, and older brothers, who are off fighting at the front. The boys know they will very soon be sent to join their elders, and in their final weeks of freedom they begin acting out their frustrations and fears in a series of subversive games and petty thefts. But when they attract the attention of a stranger in town—an actor with a traveling theater company—their games, and their lives, begin to move in a direction they could not have predicted and cannot control, and one that reveals them to be strangers to one another. Resisting and defying adulthood, they find themselves still subject to its baffling power even in their attempted rebellion.

What is it to be in love with a pathological liar and fantasist? Esther is, and has been for more than twenty years. Lajos, the liar, married her sister, and when she died, Lajos disappeared. Or did he? And Esther? She was left with her elderly cousin, the all-knowing Nunu, and a worn old house, living a life of the most modest comforts. All is well, but all is tired.

Until a telegram arrives announcing that, after all these years, Lajos is returning with his children. The news brings both panic and excitement. While no longer young and thoroughly skeptical about Lajos and his lies, Esther still remembers how incredibly alive she felt when he was around. Lajos’s presence bewitches everyone, and the greatest part of his charm — and his danger — lies in the deftness with which he wields that delicate power. Nothing good can come of this: friends rally round, but Lajos’s arrival, complete with entourage, begins a day of high theater.

Esther’s Inheritance has the taut economy of Márai’s Embers, and presents a remarkable narrator who delivers the story as both tragedy and comedy on an intimate scale that nevertheless has archetypal power.

The rediscovery of a masterpiece of Central European literature originally published in Budapest in 1942 and unknown to modern readers until last year. An extraordinary novel about a triangular relationship, about love, friendship, and fidelity, about betrayal, pride, and true nobility.

In a castle at the foot of the Carpathian Mountains, an old aristocrat waits to greet the friend he has not seen for forty-one years. In the course of this one night, from dinner until dawn, the two men will fight a duel of words and silences, of stories, of accusations and evasions, that will encompass their entire lives and that of a third person, missing from the candlelit dining hall — the now dead chatelaine of the castle. The last time the three of them sat together was in this room, after a stag hunt in the forest. The year was 1900. No game was shot that day, but the reverberations were cataclysmic. And the time of reckoning has finally arrived.

Already a great international best-seller, Embers is a magnificent addition to world literature in the English language.

A rediscovered masterwork from famed Hungarian novelist Sándor Márai, tracks the lifelong entanglement of a man and two women haunted by class differences and misdirected longings.

Peter and Ilonka are a wealthy couple whose outwardly perfect marriage is undone by secrets. The insecure Ilonka believes she can never be elegant and refined enough for her husband, while Peter has long been tormented by his forbidden love for Judit, a peasant and servant in his childhood home. What Judit longs for most, however, is freedom from the constraints of the society that has ensnared all three in a vortex of love and loss. Set against the backdrop of Hungary between the wars, in a world on the verge of dramatic change, this exquisite novel offers further posthumous evidence of Marai’s brilliance.