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Nanjing Requiem

Аннотация

The award-winning author of and returns to his homeland in a searing new novel that unfurls during one of the darkest moments of the twentieth century: the Rape of Nanjing.

In 1937, with the Japanese poised to invade Nanjing, Minnie Vautrin — an American missionary and the dean of Jinling Women’s College — decides to remain at the school, convinced that her American citizenship will help her safeguard the welfare of the Chinese men and women who work there. She is painfully mistaken. In the aftermath of the invasion, the school becomes a refugee camp for more than ten thousand homeless women and children, and Vautrin must struggle, day after day, to intercede on behalf of the hapless victims. Even when order and civility are eventually restored, Vautrin remains deeply embattled, and she is haunted by the lives she could not save.

With extraordinarily evocative precision, Ha Jin re-creates the terror, the harrowing deprivations, and the menace of unexpected violence that defined life in Nanjing during the occupation. In Minnie Vautrin he has given us an indelible portrait of a woman whose convictions and bravery prove, in the end, to be no match for the maelstrom of history.

At once epic and intimate, is historical fiction at its most resonant.

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The Crazed
Цзинь Ха
The Crazed

Since the appearance of his first book of stories in English, Ha Jin has won the National Book Award and the PEN/Faulkner Award, and garnered comparisons to Dickens, Balzac, and Isaac Babel. "Like Babel," wrote Francine Prose in The "New York Times Book Review," "Ha Jin observes everything… yet he tells the reader only-and precisely-as much as is needed to make his deceptively simple fiction resonate on many levels."

In his luminous new novel, the author of "Waiting" deepens his portrait of contemporary Chinese society while exploring the perennial conflicts between convention and individualism, integrity and pragmatism, loyalty and betrayal. Professor Yang, a respected teacher of literature at a provincial university, has had a stroke, and his student Jian Wan-who is also engaged to Yang's daughter-has been assigned to care for him. What at first seems a simple if burdensome duty becomes treacherous when the professor begins to rave: pleading with invisible tormentors, denouncing his family, his colleagues, and a system in which a scholar is "just a piece of meat on a cutting board."

Are these just manifestations of illness, or is Yang spewing up the truth? And can the dutiful Jian avoid being irretrievably compromised? For in a China convulsed by the Tiananmen uprising, those who hear the truth are as much at risk as those who speak it. At once nuanced and fierce, earthy and humane, "The Crazed" is further evidence of Ha Jin's prodigious narrative gifts.

Under the Red Flag
Цзинь Ха
Under the Red Flag

The twelve stories in take place during China's Cultural Revolution. Ha Jin, who was raised in China and emigrated to the United States after the Tiananmen Square massacre in 1989, writes about loss and moral deterioration with the keen sense of a survivor. His stories examine life in the bleak rural town of Dismount Fort, where the men and women are full of passion and certainty but blinded by their limited vision as they grapple with honor and shame, manhood and death, infidelity and repression.

In "A Man-to-Be," a militiaman engaged to be married participates in a gang rape, but finds himself impotent when he looks into the eyes of the victim. His fiancee's family breaks off the engagement, not because of the rape, but because they doubt his virility. In "Winds and Clouds over a Funeral," a Communist leader disobeys his mother's last wish for burial to keep his good standing in the party, but his enemies bring him down for being a bad son. "In Broad Daylight" is the story of the public humiliation of a woman accused of being a whore. Her dignified defiance is gradually stripped away as she is dragged through the streets, cursed and spat upon by strangers and family alike.

In , privacy is nonexistent and paranoia rules as neighbor turns against neighbor, husband turns against wife, state turns against individual, history turns against humanity. These stories display the earnestness and grandeur of human folly, and in a larger sense, form a moral history of a time and a place.