Ocean of Words

In his first book of stories since was published in 2000 ("Finely wrought. . Every story here is cut like a stone." — ), National Book Award — winning Ha Jin gives us a collection that delves into the experience of Chinese immigrants in America.

With the same profound attention to detail that is a hallmark of his previous acclaimed works of fiction, Ha Jin depicts here the full spectrum of immigrant life and the daily struggles — some minute, some grand — faced by these intriguing individuals.

A lonely composer takes comfort in the antics of his girlfriend's parakeet; young children decide to change their names so that they might sound more "American," unaware of how deeply this will hurt their grandparents; a Chinese professor of English attempts to defect with the help of a reluctant former student. All of Ha Jin's characters struggle in situations that stir within them a desire to remain attached to be loyal to their homeland and its traditions as they explore and avail themselves of the freedom that life in a new country offers.

In these stark, deeply moving, acutely insightful, and often strikingly humorous stories, we are reminded once again of the storytelling prowess of this superb writer.

From the award-winning author of Waiting: a spare, haunting tale of espionage and conflicted loyalties that spans half a century in the entwined histories of two countries — China and the United States — and two families as it explores the complicated terrain of love and honor.

When Lilian Shang, born and raised in America, discovers her father’s diary after the death of her parents, she is shocked by the secrets it contains. She knew that her father, Gary, convicted decades ago of being a mole in the CIA, was the most important Chinese spy ever caught. But his diary — an astonishing chronicle of his journey from 1949 Shanghai to Okinawa to Langley, Virginia — reveals the pain and longing that his double life entailed. The trail leads Lilian to China, to her father’s long-abandoned other family, whose existence she and her Irish American mother never suspected. As Lilian begins to fathom her father’s dilemma — torn between loyalty to his motherland and the love he came to feel for his adopted country — she sees how his sense of duty distorted his life. But as she starts to understand that Gary, too, had been betrayed, she finds that it is up to her to prevent his tragedy from damaging yet another generation of her family.

The award-winning author of and returns to his homeland in a searing new novel that unfurls during one of the darkest moments of the twentieth century: the Rape of Nanjing.

In 1937, with the Japanese poised to invade Nanjing, Minnie Vautrin — an American missionary and the dean of Jinling Women’s College — decides to remain at the school, convinced that her American citizenship will help her safeguard the welfare of the Chinese men and women who work there. She is painfully mistaken. In the aftermath of the invasion, the school becomes a refugee camp for more than ten thousand homeless women and children, and Vautrin must struggle, day after day, to intercede on behalf of the hapless victims. Even when order and civility are eventually restored, Vautrin remains deeply embattled, and she is haunted by the lives she could not save.

With extraordinarily evocative precision, Ha Jin re-creates the terror, the harrowing deprivations, and the menace of unexpected violence that defined life in Nanjing during the occupation. In Minnie Vautrin he has given us an indelible portrait of a woman whose convictions and bravery prove, in the end, to be no match for the maelstrom of history.

At once epic and intimate, is historical fiction at its most resonant.

From the remarkable Ha Jin, winner of the National Book Award for his celebrated novel , a collection of comical and deeply moving tales of contemporary China that are as warm and human as they are surprising, disturbing, and delightful.

In the title story, the head of security at a factory is shocked, first when the hansomest worker on the floor proposes marriage to his homely adopted daughter, and again when his new son-in-law is arrested for the "crime" of homosexuality. In "After Cowboy Chicken Came to Town," the workers at an American-style fast food franchise receive a hilarious crash course in marketing, deep frying, and that frustrating capitalist dictum, "the customer is always right."Ha Jin has triumphed again with his unforgettable storytelling in .

Since the appearance of his first book of stories in English, Ha Jin has won the National Book Award and the PEN/Faulkner Award, and garnered comparisons to Dickens, Balzac, and Isaac Babel. "Like Babel," wrote Francine Prose in The "New York Times Book Review," "Ha Jin observes everything… yet he tells the reader only-and precisely-as much as is needed to make his deceptively simple fiction resonate on many levels."

In his luminous new novel, the author of "Waiting" deepens his portrait of contemporary Chinese society while exploring the perennial conflicts between convention and individualism, integrity and pragmatism, loyalty and betrayal. Professor Yang, a respected teacher of literature at a provincial university, has had a stroke, and his student Jian Wan-who is also engaged to Yang's daughter-has been assigned to care for him. What at first seems a simple if burdensome duty becomes treacherous when the professor begins to rave: pleading with invisible tormentors, denouncing his family, his colleagues, and a system in which a scholar is "just a piece of meat on a cutting board."

Are these just manifestations of illness, or is Yang spewing up the truth? And can the dutiful Jian avoid being irretrievably compromised? For in a China convulsed by the Tiananmen uprising, those who hear the truth are as much at risk as those who speak it. At once nuanced and fierce, earthy and humane, "The Crazed" is further evidence of Ha Jin's prodigious narrative gifts.

The twelve stories in take place during China's Cultural Revolution. Ha Jin, who was raised in China and emigrated to the United States after the Tiananmen Square massacre in 1989, writes about loss and moral deterioration with the keen sense of a survivor. His stories examine life in the bleak rural town of Dismount Fort, where the men and women are full of passion and certainty but blinded by their limited vision as they grapple with honor and shame, manhood and death, infidelity and repression.

In "A Man-to-Be," a militiaman engaged to be married participates in a gang rape, but finds himself impotent when he looks into the eyes of the victim. His fiancee's family breaks off the engagement, not because of the rape, but because they doubt his virility. In "Winds and Clouds over a Funeral," a Communist leader disobeys his mother's last wish for burial to keep his good standing in the party, but his enemies bring him down for being a bad son. "In Broad Daylight" is the story of the public humiliation of a woman accused of being a whore. Her dignified defiance is gradually stripped away as she is dragged through the streets, cursed and spat upon by strangers and family alike.

In , privacy is nonexistent and paranoia rules as neighbor turns against neighbor, husband turns against wife, state turns against individual, history turns against humanity. These stories display the earnestness and grandeur of human folly, and in a larger sense, form a moral history of a time and a place.

The demands of human longing contend with the weight of centuries of custom in acclaimed author Ha Jin's , a novel of unexpected richness and universal resonance. Every summer Lin Kong, a doctor in the Chinese Army, returns to his village to end his loveless marriage with the humble and touchingly loyal Shuyu. But each time Lin must return to the city to tell Manna Wu, the educated, modern nurse he loves, that they will have to postpone their engagement once again. Caught between conflicting claims of these two utterly different women and trapped by a culture in which adultery can ruin lives and careers, Lin has been waiting for eighteen years. This year, he promises, will be different.