Soft

It is winter, somewhere in the United Kingdom, and an eight-year-old boy is removed from his home and family in the middle of the night. He learns that he is the victim of an extraordinary experiment. In an attempt to reform society, the government has divided the population into four groups, each representing a different personality type. The land, too, has been divided into quarters. Borders have been established, reinforced by concrete walls, armed guards and rolls of razor wire. Plunged headlong into this brave new world, the boy tries to make the best of things, unaware that ahead of him lies a truly explosive moment, a revelation that will challenge everything he believes in and will, in the end, put his very life in jeopardy…

New Egypt is a village somewhere in the South of England. A village that nobody has ever left. Peach, the sadistic chief of police, makes sure of that. Then, one misty morning, a young couple secretly set their baby son Moses afloat on the river, in a basket made of rushes. Years later, Moses is living above a nightclub, mixing with drug-dealers, thieves and topless waitresses. He knows nothing about his past — but it is catching up with him nevertheless, and it threatens to put his life in danger. Terror, magic and farce all have a part to play as the worlds of Peach and Moses slowly converge.

At the turn of the century Théophile and Suzanne Valence sail into the Mexican copper-mining town of Santa Sofìa. Théo has travelled here to build a metal church designed by his mentor, the great engineer Gustave Eiffel. His wife Suzanne, wayward and graced with the gift of clairvoyance is deeply in love and has insisted on accompanying him. But the magical landscape inspires no answering passion in Théo. In her loneliness she turns to the American gold prospector Wilson Pharaoh, and soon he, like the town and its inhabitants, falls under her spell, an enchantment as seductive as Suzanne herself.

It is a Thursday evening. After work Martin Blom drives to the supermarket to buy some groceries. As he walks back to his car, a shot rings out. When he wakes up he is blind. His neurosurgeon, Bruno Visser, tells him that his loss of sight is permanent and that he must expect to experience shock, depression, self-pity, even suicidal thoughts before his rehabilitation is complete. But it doesn't work out quite like that. One spring evening, while Martin is practising in the clinic gardens with his new white cane, something miraculous happens…

It is Florence, 1691. The Renaissance is long gone, and the city is a dark, repressive place, where everything is forbidden and anything is possible. The Enlightenment may be just around the corner, but knowledge is still the property of the few, and they guard it fiercely. Art, sex and power — these, as always, are the obsessions.

Facing serious criminal charges, Gaetano Zummo is forced to flee his native Siracusa at the age of twenty, first to Palermo, then Naples, but always has the feeling that he is being pursued by his past, and that he will never be free of it. Zummo works an artist in wax. He is fascinated by the plague, and makes small wooden cabinets in which he places graphic, tortured models of the dead and dying. But Cosimo III, Tuscany's penultimate Medici ruler, gives Zummo his most challenging commission yet, and as he tackles it his path entwines with that of the apothecary's daughter Faustina, whose secret is even more explosive than his.

Poignant but paranoid, sensual yet chilling, Secrecy is a novel that buzzes with intrigue and ideas. It is a love story, a murder mystery, a portrait of a famous city in an age of austerity, an exercise in concealment and revelation, but above all it is a trapdoor narrative, one story dropping unexpectedly into another, the ground always slippery, uncertain…

Robert Thomson—“a true master,” according to the —now gives us his most powerful work yet: the story of a woman who, even after her death, inflames an entire nation, and of the man who comes under her spell.

Having spent decades in prison for crimes gruesomely familiar to everyone in England, this murderer has finally died of natural causes but is no less notorious in death than she was in life. Billy Tyler, a career policeman, has been assigned the task of guarding her body — to make sure, he’s told, that nothing happens. But alone on a graveyard shift his wife begged him not to accept, Billy has occasion to contemplate the various turns his life has taken, his complicated thoughts about violence in himself and society, the unease that distances him from marital disappointment and a damaged daughter, and, finally, why it is that this reviled murderer, in the eerie silence of the hospital morgue, seems to speak to him directly and know him more fully than anyone else. In this dark night of the soul, his own problems and anxieties gradually acquire a new and unexpected significance, giving rise to questions that should haunt us all: Whom do we love, and why? How do we protect our children? And what separates us from those we call monsters?

A gripping revelation of crime, of punishment — and of what we desperately seek to hide from ourselves.

“Katherine Carlyle is a masterpiece.” —Philip Pullman, best-selling author of the His Dark Materials trilogy

“[T]his road trip through a snow dome of mesmeric hallucinations is Thomson at his best.” —Richard Flanagan, author of The Narrow Road to the Deep North, winner of the 2015 Man Booker Prize

Katherine Carlyle is Rupert Thomson’s breakthrough novel. Written in the beautifully spare, lucid, and cinematic prose Thomson is known for, and powered by his natural gift for storytelling, it uses the modern techniques of IVF to throw new light on the myth of origins. It is a profound and moving novel about identity, the search for personal meaning, and how we are loved.

Unmoored by her mother’s death and feeling her father to be an increasingly distant figure, Katherine Carlyle abandons the set course of her life and starts out on a mysterious journey to the ends of the world. Instead of going to college, she disappears, telling no one where she has gone. What begins as an attempt to punish her father for his absence gradually becomes a testing ground of his love for her, a coming-to-terms with the death of her mother, and finally the mise-en-scène for a courageous leap to true empowerment.

There was a sailor's graveyard in Moon Beach. This was where the funeral business first started. Rumour had it that the witch's fingers used to reach out and sink ships. But there hadn't been a wreck for years, and all the funeral parlours had moved downtown.

Однажды ясным весенним днем в Амстердаме человек выходит за сигаретами. Он - танцор. Талантливый, обаятельный и физически красивый человек. То, что происходит с ним дальше, оказывается полной неожиданностью для него и накладывает неизгладимый отпечаток на всю его дальнейшую жизнь. Он попадает в плен к трем незнакомкам, которые держат его в таинственной белой комнате. Последствия этого заключения оказываются очень тяжелыми и мучительными.