The Four Books

A mystifying climatic incongruity begins the award-winning novel —an absurdist, tragicomic masterpiece set in modern day China. Nestled deep within the Balou mountains, spared from the government’s watchful eye, the harmonious people of Liven had enough food and leisure to be fully content. But when their crops and livelihood are obliterated by a seven-day snowstorm in the middle of a sweltering summer, a county official arrives with a lucrative scheme both to raise money for the district and boost his career. The majority of the 197 villagers are disabled, and he convinces them to start a traveling performance troupe highlighting such acts as One-Eye’s one-eyed needle threading. With the profits from this extraordinary show, he intends to buy Lenin’s embalmed corpse from Russia and install it in a grand mausoleum to attract tourism, in the ultimate marriage of capitalism and communism. However, the success of the Shuanghuai County Special-Skills Performance Troupe comes at a serious price.

Yan Lianke, one of China’s most distinguished writers — whose works often push the envelope of his country’s censorship system — delivers a humorous, daring, and riveting portrait of the trappings and consequences of greed and corruption at the heart of humanity.

Set in 1967, at the peak of the Mao cult, is a beautifully told, wickedly daring story about the forbidden love affair between Liu Lian, the young, pretty wife of a powerful Division Commander in Communist China, and her household’s lowly servant, Wu Dawang. When Liu Lian establishes a rule for her orderly that he is to attend to her needs whenever the household’s wooden Serve the People! sign is removed from its usual place, the orderly vows to obey. What follows is a remarkable love story and a profound and deliciously comic satire on Mao’s famous slogan and the political and sexual taboos of his regime. As life is breathed into the illicit sexual affair, Yan Lianke brilliantly captures how the Model Soldier Wu Dawang becomes an eager collaborator with the restless and demanding Liu Lian, their actions inspired by primitive passions that they are only just discovering. Originally banned in China, and the first work from Yan Lianke to be translated into English, brings us the debut of one of the most important authors writing from inside China today.

Officially censored upon its Chinese publication, and the subject of a bitter lawsuit between author and publisher, is Chinese novelist Yan Lianke's most important novel to date.

Set in a poor village in Henan province, it is a deeply moving and beautifully written account of a blood-selling scandal in contemporary China. As the book opens, the town directors, looking for a way to lift their village from poverty, decide to open a dozen blood-plasma collection stations, with the hope of draining the townspeople of their blood and selling it to villages near and far. Although the citizens prosper in the short run, the rampant blood-selling leads to an outbreak of AIDS and huge loss of life. Narrated by the dead grandson of the village head and written in finely crafted, affecting prose, the novel presents a powerful absurdist allegory of the moral vacuum at the heart of communist-capitalist China as it traces the life and death of an entire community.

Based on a real-life blood-selling scandal in eastern China, is the result of three years of undercover work by Yan Lianke, who worked as an assistant to a well-known Beijing anthropologist in an effort to study a small village decimated by HIV/AIDS as a result of unregulated blood selling. Whole villages were wiped out with no responsibility taken or reparations paid. focuses on one family, destroyed when one son rises to the top of the Party pile as he exploits the situation, while another son is infected and dies.

The result is a passionate and steely critique of the rate at which China is developing—and what happens to those who get in the way.