The Literary Conference

The Musical Brain & Other Stories consists of twenty stories about oddballs, freaks, and crazy people from the writer The New York Review of Books calls the novelist who can t be stopped. The author of at least eighty novels, most of them barely 96 pages each, with just nine of them so far published into English, Aira s work, and his fuga hacia adelante or flight forward into the unknown has already given us imponderables to ponder, bizarre and seemingly out of context plotlines to consider, thoughtful, and almost religious, certainly passionate takes on everyday reality. The Musical Brain is the best sampling of Aira s creativity so far, and a most exhilarating collection of characters, places, and ideas."

One Saturday night a bankrupt bachelor in his sixties and his mother visit a wealthy friend. They discuss their endlessly connected neighbors the daughter of what was her name? Miganne, who lived in front of Cabanillas s office Which Cabanillas? The one married to Artola s daughter? They talk about a mysterious pit that opened up one day, and the old bricklayer who sometimes walked to the Cemetery to cheer himself up. Anxious to show off his valuable antiques, the host shows his guests old wind-up toys, and takes them to admire an enormous doll. Back at home, the bachelor decides to watch some late night TV before retiring. The news quickly takes a turn for the worse as, horrified, the newscaster finds herself reporting about the dead rising from their graves, leaving the cemetery, and sucking the blood of the living all the figures are disturbingly reminiscent of the dinner party. And how can the citizens save their town when deep down there is always such a dark thirst for life?"

An astounding novel from Argentina that is a meditation on the beautiful and the grotesque in nature, the art of landscape painting, and one experience in a man's life that became a lightning rod for inspiration.

An Episode in the Life of a Landscape Painter

"My story, the story of 'how I became a nun,' began very early in my life; I had just turned six. The beginning is marked by a vivid memory, which I can reconstruct down to the last detail. Before, there is nothing, and after, everything is an extension of the same vivid memory, continuous and unbroken, including the intervals of sleep, up to the point where I took the veil."How I Became a Nun

A few days after his fiftieth birthday, Aira noticed the thin rim of the moon, visible despite the rising sun. When his wife explained the phenomenon to him he was shocked that for fifty years he had known nothing about "something so obvious, so visible." This epiphany led him to write . With a subtle and melancholic sense of humor he reflects on his failures, on the meaning of life and the importance of literature.

Maxi, a middle-class, directionless ox of a young man who helps the trash pickers of Buenos Aires's shantytown, attracts the attention of a corrupt, trigger-happy policeman who will use anyone — including two innocent teenage girls — to break a drug ring that he believes is operating within the slum. A strange new drug, a brightly lit carousel of a slum, the kindness of strangers, gunplay… no matter how serious the subject matter, and despite Aira's "fascination with urban violence and the sinister underside of Latin American politics" (The Millions), Shantytown, like all of Aira's mesmerizing work, is filled with wonder and mad invention.

Clarke, a nineteenth-century English naturalist, roams the pampas in search of that most elusive and rare animal: the Legibrerian hare, whose defining quality seems to be its ability to fly. The local Indians, pointing skyward, report recent sightings of the hare but then ask Clarke to help them search for their missing chief as well. On further investigation Clarke finds more than meets the eye: in the Mapuche and Voroga languages every word has at least two meanings. Witty, very ironic, and with all the usual Airian digressive magic, The Hare offers subtle reflections on love, Victorian-era colonialism, and the many ambiguities of language.

César Aira's newest novel in English is not about a conventional doctor. Single, in his forties, and poor, Dr. Aira is a skeptic. His personality his weaknesses, whims, and pet peeves is summed up in a series of digressions and regressions but he has a very special gift for miracles. He no longer cares about miracles, however, and has no faith in them. Perhaps he is even a little ashamed about his supernatural powers. Such is Dr. Aira, who also has to confront his arch-enemy chief of the Piñero Hospital, Dr. Actyn who is constantly trying to prove that Dr. Aira is a charlatan. Poor Dr. Aira is indeed a worker of miracles, but César Aira the magesterial author sends the very human doctor stumbling toward the biggest trap of all, in this magical book.

The Seamstress and the Wind

Completely unhinged, she calls a local taxi to follow the semi in hot pursuit. When her husband finds out what’s happened, he takes off after wife and child. They race not only to the end of the world, but to adventures in desire — where the wild Southern wind falls in love with the seamstress, and a monster child takes up with the truck driver. Interspersed are Aira’s musings about memory and childhood, and his hometown of Coronel Pringles, with a compelling view of the hard lot of this working-class town, situated not far from Buenos Aires.

Unmistakably the work of César Aira, is about the day in the life of a hapless government employee who, after wandering around all night after being paid by the Ministry in counterfeit money, eventually writes the most celebrated masterwork of modern Central American poetry, . What is odd is that, at fifty years old, Varamo “hadn’t previously written one sole verse, nor had it ever occurred to him to write one.”

Among other things, this novella is an ironic allegory of the poet's vocation and inspiration, the subtlety of artistic genius, and our need to give literature an historic, national, psychological, and aesthetic context. But Aira goes further still — converting the ironic allegory into a formidable parody of the expectations that all narrative texts generate — by laying out the pathos of a man who between one night and the following morning is touched by genius. Once again Aira surprises us with his unclassifiable fiction: original and enjoyable, worthy of many a thoughtful chuckle, invites the reader to become an accomplice in the author’s irresistible game.

Daily conversations in outdoor cafes with cultured friends can help make reality a little more real. Unfortunately, however, during one such conversation, one man spots a gold Rolex watch on a TV soap opera's goatherd. This seemingly small absurdity sets off alarms: strange sensations of deception, distress, and incipient madness. The two men's uneasiness soon becomes a nightmare as the TV adventure advances with a real-life plot — involving a mutant strain of killer algae — to take over the world! , a reality within a fiction within a parallel reality, is hilariously funny and surprisingly touching.

La historia es una especie de alucinación. Son las macabras y horripilantes memorias de un niño (o niña, porque se llama a sí misma niña pero todo el mundo la trata como si fuera un niño) que se llama César Aira.

Este fue el primer relato que contribuyó a crear una leyenda alrededor de este escritor de culto y uno de los más excéntricos entre los excéntricos, admirado sin reservas por escritores como Enrique Vila-Matas y Sergio Pitol.

En una remota provincia china, un campesino sutil se extravía en un hechizo de amor. Como casi todos los amores, este es imposible. Pero Lu Hsin, ingenioso y paciente, decide crear una posibilidad a partir de la nada.

La tarea le lleva casi toda la vida.Esta fábula erótica, atemporal y eterna aunque inelidublemente china, sucede sobre el fondo agotado de veinte años cruciales en la historia del Imperio de la Porcelana: los que van entre la Larga Marcha y la Revolución Cultural. La hidráulica, la pintura, la política, la vida cotidiana en una pequeña aldea, y una colorida galería de personajes, marcan el paso del tiempo de la ficción, que se revela en el desenlace como el fulminante momento de la realidad y el amor.