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The MacGuffin

Аннотация

As he's chauffeured about in his official limousine, aging City Commissioner of Streets Bobbo Druff comes to a frightening realization: he's lost force, the world has started to condescend to him. His once fear-inspiring figure has become everyone's "little old lady."

In retaliation, Druff constructs a paranoid plot-his "MacGuffin"-within which (he believes) everyone is out to get him. With unabashed enthusiasm Druff starts an illicit affair (in order to incriminate himself), instigates fights with his employees, invents lies for his family-in short, does everything in his power to create a world in which he is placed safely and firmly at the scandalous center.

One of Elkin's greatest comic figures, Druff's self-conscious madness is surprisingly smart and hilariously inventive. Few characters in modern literatureshow such immense creativity and courage in the face of such a hopeless dilemma-the very slipperiness of existence itself.

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100 Years of the Best American Short Stories
Джонс Эдвард П
100 Years of the Best American Short Stories

The Best American Short Stories

These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.”  is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.

LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the  International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, , was short-listed for the Story Prize and the Frank O’Connor Award.

HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of  since 2007. She is the author of the novels