The Manticore

Robertson Davies first hit upon the notion of writing ghost stories when he joined the University of Toronto’s Massey College as a Master. Wishing to provide entertainment at the College’s Gaudy Night, the annual Christmas party, Professor Davies created a “spooky story,” which he read aloud to the gathering. That story, “Revelation from a Smoky Fire,” is the first in this wonderful, haunting collection. A tradition quickly became established and, for eighteen years, Davies delighted and amused the Gaudy Night guests with his tales of the supernatural. Here, gathered together in one volume, are those eighteen stories, just as Davies first read them.

The ghosts of Ibsen and Dickens and sixteen horrid apparitions manifest themselves in this witty collection of tales.

Francis Cornish was always good at keeping secrets. From the well-hidden family secret of his childhood to his mysterious encounters with a small-town embalmer, a master art restorer, a Bavarian countess, and various masters of espionage, the events in Francis’s life were not always what they seemed.

In this wonderfully ingenious portrait of an art expert and collector of international renown, Robertson Davies has created a spell-binding tale of artistic triumph and heroic deceit. It is a tale told in stylish, elegant prose, endowed with lavish portions of Davies’s wit and wisdom.

The Cornish Foundation is thriving under the directorship of Arthur Cornish when Arthur and his beguiling wife, Maria Theotoky, decide to underetake a project worthy of Francis Cornish, whose vast fortune endows the Foundation. The remarkably unattractive, extraordinarily talented music student Hulda Schnakenburg is commissioned to complete E.T.A. Hoffmann’s unfinished opera Arthur of Britain, or The Magnanimous Cockold; and the scholarly priest Simon Darcourt finds himself charged with writing the libretto.

Complications both practical and emotional arise: the gypsy in Maria’s blood rises with a vengence; Darcourt stoops to petty crime; and various others indulge in perjury, blackmail, and other unsavory pursuits. Hoffmann’s dictum, “the lyre of Orpheus opens the door of the underworld,” seems all too true—especially when the long-hidden secrets of Francis Cornish himself are finally revealed.

The Lyre of Orpheus

Ramsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man’s land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous.

Fifth Business

This story of Magnus Eisengrim, master illusionist, the most illustrious magician of his age, has been called “a spectacular, soaring work, an astounding tour de force unequaled in recent literature.” is the final volume in Robertson Davies’s celebrated Deptford Trilogy, which began with and

People who do not know Salterton call it dreamy and old-world. They say it is the place where Anglican clergymen go when they die. The real Saltertons, however, know that there is nothing quaint about the place at all. With its two cathedrals, its one university, and its native sons and daughters busily scheming for their dreams, Salterton is very much in the real world.

People who do not know Salterton call it dreamy and old-world. They say it is the place where Anglican clergymen go when they die. The real Saltertons, however, know that there is nothing quaint about the place at all. With its two cathedrals, its one university, and its native sons and daughters busily scheming for their dreams, Salterton is very much in the real world.

People who do not know Salterton call it dreamy and old-world. They say it is the place where Anglican clergymen go when they die. The real Saltertons, however, know that there is nothing quaint about the place at all. With its two cathedrals, its one university, and its native sons and daughters busily scheming for their dreams, Salterton is very much in the real world.

Robertson Davies uses his magical touch to weave together the destinies of this remarkable cast of characters, creating a wise and witty portrait of love, murder, and scholarship at a modern university.