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A Vision of Fire

Аннотация

The first novel from iconic star Gillian Anderson and bestselling author Jeff Rovin: a science fiction thriller of epic proportions.

Renowned child psychologist Caitlin O’Hara is a single mom trying to juggle her job, her son, and a lackluster dating life. Her world is suddenly upturned when Maanik, the daughter of India’s ambassador to the United Nations, starts speaking in tongues and having violent visions. Caitlin is sure that her fits have something to do with the recent assassination attempt on her father—a shooting that has escalated nuclear tensions between India and Pakistan to dangerous levels—but when teenagers around the world start having similar outbursts, Caitlin begins to think that there’s a more sinister force at work.

In Haiti, a student claws at her throat, drowning on dry land. In Iran, a boy suddenly and inexplicably sets himself on fire. Animals, too, are acting irrationally, from rats in New York City to birds in South America to ordinary house pets. With Asia on the cusp of nuclear war, Caitlin must race across the globe to uncover the mystical links among these seemingly unrelated incidents in order to save her patient—and perhaps the world.

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Fatalis
Ровин Джефф
Fatalis

Saber-tooth tigers attack Los Angeles in Rovin's gung-ho second novel of cryptozoological horror. (In the first, Vespers, Rovin imagined mutant bats tearing up New York City.) The new novel opens in classic horror style, on a Santa Barbara hillside, as something large but unseen stalks a bobcat that's in turn stalking a dog: soon there are "streams of blood, all that remained of a bobcat on its final hunt." Cut to anthropologist Jim Grand, mourning the recent demise of his beloved wife. Cut to two engineers investigating a sinkhole near that hillside; in minutes they, too, are dead, but now we see "two glowing orbs" that move "down and then away." Cut to feisty local reporter Hannah Hughes, about to investigate the engineers' disappearance; to macho sheriff Malcolm Gearhart, who's tangled before with Jim and Hannah and who can't rest easy when there's trouble on his turf--and all the elements of grade-A schlock horror are percolating away. The buildup to the expected full-tilt saber-tooth vs. human scenes is long and slowed down by soggy excursions into Native American mysticism (Grand is an expert on the ancient Chumash, whose newfound cave illustrations warn of the saber-tooths). Rovin's characters are thin but functional, and he writes zesty action sequences, making strong use of local settings, placing the final showdown at the La Brea Tar Pits. This novel offers no surprises, but, like Vespers, it reiterates horror-movie traditions with panache. The bats ace the saber-tooths by a fright or two, but fans of horror that spins on nature-gone-amok should take to this with a growl. Film rights optioned by Universal Pictures for Sylvester Stallone.